The Anchor Book of Chinese Poetry by
Unmatched in scope and literary quality, this landmark anthology spans three thousand years, bringing together more than six hundred poems by more than one hundred thirty poets, in translations-many new and exclusive to the book-by an array of distinguished translators. Here is the grand sweep of Chinese poetry, from the Book of Songs-ancient folk songs said to have been collected by Confucius himself-and Laozi's Dao De Jing to the vividly pictorial verse of Wang Wei, the romanticism of Li Po, the technical brilliance of Tu Fu, and all the way up to the twentieth-century poetry of Mao Zedong and the post--Cultural Revolution verse of the Misty poets. Encompassing the spiritual, philosophical, political, mystical, and erotic strains that have emerged over millennia, this broadly representative selection also includes a preface on the art of translation, a general introduction to Chinese poetic form, biographical headnotes for each of the poets, and concise essays on the dynasties that structure the book. The Anchor Book of Chinese Poetry captures with impressive range and depth the essence of China's illustrious poetic tradition.
Black Women Poets of Harlem Renaissance by
Black Women Poets of Harlem Renaissance presents a critical examination of the creative poetic achievements of five women writers during the Harlem Renaissance.
The Essential Rumi - Reissue by
The best-selling Rumi book ever is now better than ever! This revised and expanded edition of the comprehensive one-volume edition of America's most popular poet includes a new introduction by Coleman Barks, and 81 new poems never published before. The best-selling Rumi book ever is now better than ever! This revised and expanded edition of the comprehensive one-volume edition of America′s most popular poet includes a new introduction by Coleman Barks, and 57 new poems never published before. The ecstatic, spiritual poetry of Rumi is more popular than ever, and The Essential Rumi continues to be far and away the top-selling title of all Rumi books. With the addition of many new poems and a new introduction, The Essential Rumi is now clearly the definitive, and most delightful selection of Rumi′s poetry.
Milk and Honey by
The book is divided into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. milk and honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.
Modern American Poetry by
Firmly rooted in the modernist era of the early and mid-20th century, luminaries such as Hart Crane and Elizabeth Bishop set the stage for what would be defined as modern American poetry.
The Oxford Book of American Poetry by
Here is the eagerly awaited new edition of The Oxford Book of American Poetry brought completely up to date and dramatically expanded by poet David Lehman. It is a rich, capacious volume, featuring the work of more than 200 poets-almost three times as many as the 1976 edition. With a succinctand often witty head note introducing each author, it is certain to become the definitive anthology of American poetry for our time.Lehman has gathered together all the works one would expect to find in a landmark collection of American poetry, from Whitman's Crossing Brooklyn Ferry to Stevens's The Idea of Order at Key West, and from Eliot's The Waste Land to Ashbery's Self-Portrait in a Convex Mirror. But equally important,the editor has significantly expanded the range of the anthology. The book includes not only writers born since the previous edition, but also many fine poets overlooked in earlier editions or little known in the past but highly deserving of attention. The anthology confers legitimacy on theObjectivist poets; the so-called Proletariat poets of the 1930s; famous poets who fell into neglect or were the victims of critical backlash (Edna St. Vincent Millay); poets whose true worth has only become clear with the passing of time (Weldon Kees). Among poets missing from Richard Ellmann's 1976volume but published here are W. H. Auden, Charles Bukowski, Donald Justice, Carolyn Kizer, Kenneth Koch, Stanley Kunitz, Emma Lazarus, Mina Loy, Howard Moss, Lorine Niedecker, George Oppen, James Schuyler, Elinor Wylie, and Louis Zukosky. Many more women are represented: outstanding poets such asJosephine Jacobsen, Josephine Miles, May Swenson. Numerous African-American poets receive their due, and unexpected figures such as the musicians Bob Dylan, Patti Smith and Robert Johnson have a place in this important work.This stunning collection redefines the great canon of American poetry from its origins in the 17th century right up to the present. It is a must-have anthology for anyone interested in American literature and a book that is sure to be consulted, debated, and treasured for years to come.Web SiteA companion web site is now available at a href="http://www.oxfordpoetry.com"www.oxfordpoetry.com/a
The Penguin Book of Romantic Poetry by
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
The Poem Is You by
Contemporary American poetry has plenty to offer new readers, and plenty more for those who already follow it. Yet its difficulty--and sheer variety--leaves many readers puzzled or overwhelmed. The critic, scholar, and poet Stephanie Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, Burt canvasses American poetry of the past four decades, from the headline-making urgency of Claudia Rankine's Citizen to the stark pathos of Louise Glück, the limitless energy of Juan Felipe Herrera, and the erotic provocations of D. A. Powell. The Poem Is You: Sixty Contemporary American Poems and How to Read Them is a guide to the diverse magnificences of American poetry today. It presents a wide range of poems selected by Burt for this volume, each accompanied by an original essay explaining how a given poem works, why it matters, and how the poem speaks to other parts of art and culture. Included here are some classroom classics (by Ashbery, Komunyakaa, Hass), less famous poems by very famous poets (Glück, Kay Ryan), and poems by prizewinning poets near the start of their careers (such as Brandon Som), and by others who are not--or not yet--well known. The Poem Is You will appeal to poets, teachers, and students, but it is intended especially for readers who want to learn more about contemporary American poetry but who have not known where or how to start. It describes what American poets have fashioned for one another, and what they can give us today.
Poetry as Spiritual Practice by
"[When we read and write poetry,] it is as if a long-settled cloud in our mind suddenly dissipates, and we are divine once again." -- from the Introduction Poetry is the language of devotion in prayer, chant, and song. Reading and writing poetry creates clarity, deepens and expands spiritual inquiry, and cultivates wisdom, compassion, self-confidence, patience, and love. In author Robert McDowell's words, poetry makes you into a tuning fork of the Divine. But poetry has disappeared over the centuries from religious ceremonies, academic curricula, and public discourse. In Poetry as Spiritual Practice, the first inspirational and instructional guide to combine poetry and spirituality, McDowell restores poetry as the natural language of spiritual practice and invites you to recognize poetry as "the pure sound and shape of your spirit." Vividly illustrated with a wide range of poems from all historical eras and poetic traditions, numerous religions and faiths, and McDowell's own and his students' work, Poetry as Spiritual Practice will reintroduce you to the unique pleasure of verse. And meditations throughout will allow you to integrate reading and writing poetry into your spiritual journeys and daily life. Since many of us have long forgotten, or never learned, the mechanics and terminology of poetry -- trochaic feet and tropes trip us up; we can't tell a villanelle from its shorter cousin, rondeau; and a terza rima may as well be a tanka -- this is also an instructional handbook on reading and writing poetry. An engaging guide through the landscape of world poetry, McDowell argues along the way for the many practical benefits of poetic literacy. Making poetry an essential part of daily rituals, aspirations, and intentions will put you on the path to greater meaning, growth, and peace in your life. At once an engaging technical primer, a profound meditation on the relationship between poetry and the Divine, and an inspirational guide for integrating poetry into spiritual practice, Poetry as Spiritual Practice will become a cherished companion.
Poetry in Medicine by
For millennia poets have described the ailments of the body and those who treat them. Infused with hope, heartbreak, and unexpected humor, this book gathers diverse poems about our medical experiences--poems about doctors and patients, remedies and procedures, illnesses and convalescence--each one prescribing a unique perspective and new revelations. A literary elixir, Poetry in Medicine showcases not only the breadth of poetry's relationship to medicine, but also the genre's unparalleled capacity to heal us.Contributors include Auden, Baudelaire, Berryman, Blake, Bishop, Boland, Campo, Cavafy, Clampitt, Chaucer, Clifton, Cummings, Dickinson, Donne, Conan Doyle, Eliot, Frost, Gunn, Hall, Hass, Hayden, Hirsch, Heaney, O. W. Holmes, Kooser, Larkin, Longfellow, Lowell, Merrill, Milne, Milton, Nash, Ovid, Pinsky, Plath, Rilke, Shakespeare, Seshardi, Sexton, Stevens, Szymborska, Whitman, Williams, Yeats, et al.
Poetry in Michigan / Michigan in Poetry by
Featuring poetry by: Tom Andrews, James Armstrong, Cullen Bailey Burns, Jackie Bartley, Elinor Benedict, Terry Blackhawk, Gladys Cardiff, Susanna Childress, Patricia Clark, David Cope, Jim Daniels, Mike Delp, Toi Derricotte, Chris Dombrowski, Jack Driscoll, Stuart Dybek, Nancy Eimers, Robert Fanning, Mary Jo Firth Gillett, Lisa Fishman, Linda Nemec Foster, Matthew Gavin Frank, Joy Gaines-Friedler, Dan Gerber, Linda Gregerson, Mariela Griffor, Robert Haight, francine j. harris, Jim Harrison, Bob Hicok, Conrad Hilberry, Dennis Hinrichsen, Amorak Huey, Austin Hummell, Lizzie Hutton, David L. James, D. R. James, Rhoda Janzen, Jonathan Johnson, Laura Kasischke, Josie Kearns, Elizabeth Kerlikowske, Judith Kerman, L.S. Klatt, Kimberly Kolbe, David Dodd Lee, Phil Levine, M.L. Liebler, Thomas Lynch, Naomi Long Madgett, Corey Marks, Peter Markus, Dave Marlatt, Gail Martin, Kathleen McGookey, Judith Minty, Ander Monson, Julie Moulds, Amy Newday, William Olsen, Anne-Marie Oomen, Miriam Pederson, Susan Blackwell Ramsey, Greg Rappleye, Josh Rathkamp, Christine Rhein, Jack Ridl, Ron Riekki, John Rybicki, Mary Ann Samyn, Teresa Scollon, Herb Scott, Heather Sellers, Diane Seuss, Patty Seyburn, Faith Shearin, Marc Sheehan, Don Stap, Phillip Sterling, Alison Swan, Keith Taylor, Matthew Thorburn, Russell Thorburn, Richard Tillinghast, Rodney Torreson, Robert VanderMolen, Diane Wakoski, Daneen Wardrop, Angela Williams, and John Woods Featuring art by: Mary Brodbeck, Michelle Calkins, Jean Canavan, Nathan Caplan, Martha Ceccio, Karin Wagner Coron, Steve Coron, Lori Feldpausch, Steve Gilzow, David Grath, Ladislav Hanka, Carol Hanna, Lois Lovejoy, Stephen Magsig, Alanna Pfeffer, Katie Platte, Meridith Ridl, Erin Scott, Craig Seaver, Tom Walsh, Mary Whalen, Nancy Wolfe, and Patrick Young. Cover: "Huron River Mist #2" by Martha Ceccio Designer: Paul Sizer, Sizer Design + Illustration
Poet Warrior by
Joy Harjo, the first Native American to serve as U.S. poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her "poet-warrior" road. A musical, kaleidoscopic, and wise follow-up to Crazy Brave, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice. Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, and the messengers of a changing earth--owls heralding grief, resilient desert plants, and a smooth green snake curled up in surprise. She celebrates the influences that shaped her poetry, among them Audre Lorde, N. Scott Momaday, Walt Whitman, Muscogee stomp dance call-and-response, Navajo horse songs, rain, and sunrise. In absorbing, incantatory prose, Harjo grieves at the loss of her mother, reckons with the theft of her ancestral homeland, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member. Moving fluidly between prose, song, and poetry, Harjo recounts a luminous journey of becoming, a spiritual map that will help us all find home. Poet Warrior sings with the jazz, blues, tenderness, and bravery that we know as distinctly Joy Harjo.
Words Like Thunder by
Words like Thunder: New and Used Anishinaabe Prayers is a collection of poetry by award-winning Ojibwe author Lois Beardslee. Much of the book centers around Native people of the Great Lakes but has a universal relevance to modern indigenous people worldwide. Beardslee tackles contemporary topics like climate change and socioeconomic equality with a grace and readability that empowers readers and celebrates the strengths of today's indigenous peoples. She transforms the mundane into the sacred. Similar in style to Nikki Giovanni, Beardslee might lure in readers with the promise of traditional cultural material, even stereotypes, before quickly pivoting toward a direction of respect for the contemporaneity and adaptability of indigenous people's tenacious hold on traditions. Made up of four sections, the book is like a piece of artwork. Parts of the word-canvas are quiet so the reader can rest and other parts lead the reader quickly from one place to another, while always maintaining eye contact. More than anything, Beardslee emphasizes the notion that indigenous peoples are competent and wonderful, worthy of praise, and whose modernity is a function of their survival. She writes unapologetically with a strong ethnic identity as a woman of color who witnessed and experienced community loss of resources that defined her culture. Her stories transcend generations, time, and geographical boundaries-varying in voice between first person or that of her elders or children-resulting in a collective appeal. Beardslee continues to break the mold and push the boundaries of contemporary Native American poetry and prose. This book will appeal to a general readership, to people who want to learn more about indigenous peoples of the Great Lakes, and to people who care about the environment and socioeconomic equality. Even young readers, especially students of color, will find parts of this book to which they can relate.
Writing Poetry to Save Your Life by
What I hope to accomplish in this book is to give writing prompts that will help you to get past all the outside influences that keep you from believing in yourself and in your ability to write. In order to write, you need to get rid of notions about language, poetic form, and esoteric subject matter ? all the things that the poetry police have told you are essential if you are to write. I wanted to start from a different place, a place controlled by instinct rather than by intelligence. Revision, the shaping and honing of the poem, should come later, and, in revising, care always needs to be taken to retain the vitality and electricity of the poem. Anyone can learn to craft a capable poem, but it is the poems that retain that initial vitality that we remember; these are the poems that teach us how to be human.
Allegiance by
A provocative collection about navigating one's hometown in order to understand what we owe the spaces we inhabit.
Calling a Wolf a Wolf by
"The struggle from late youth on, with and without God, agony, narcotics and love is a torment rarely recorded with such sustained eloquence and passion as you will find in this collection." --Fanny Howe This highly-anticipated debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight. From "Stop Me If You've Heard This One Before" Sometimes you just have to leave whatever's real to you, you have to clomp through fields and kick the caps off all the toadstools. Sometimes you have to march all the way to Galilee or the literal foot of God himself before you realize you've already passed the place where you were supposed to die. I can no longer remember the being afraid, only that it came to an end. Kaveh Akbar is the founding editor of Divedapper. His poems appear recently or soon in The New Yorker, Poetry, APR, Tin House, Ploughshares, PBS NewsHour, and elsewhere. The recipient of a 2016 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and the Lucille Medwick Memorial Award from the Poetry Society of America, Akbar was born in Tehran, Iran, and currently lives and teaches in Florida.
The Light Between by
The Light Between is a beautiful collection of poetry that explores relationships, loss, and the integrity of the individual soul.
Living on stolen land by 
Love and Other Poems by 
Why Poetry Matters by
Poetry doesn’t matter to most people, observes Jay Parini at the opening of this book. But, undeterred, he commences a deeply felt meditation on poetry, its language and meaning, and its power to open minds and transform lives. By the end of the book, Parini has recovered a truth often obscured by our clamorous culture: without poetry, we live only partially, not fully conscious of the possibilities that life affords. Poetry indeed matters. A gifted poet and acclaimed teacher, Parini begins by looking at defenses of poetry written over the centuries. He ponders Aristotle, Horace, and Longinus, and moves on through Sidney, Wordsworth, Coleridge, Shelley, Eliot, Frost, Stevens, and others. Parini examines the importance of poetic voice and the mysteries of metaphor. He argues that a poet’s originality depends on a deep understanding of the traditions of political poetry, nature poetry, and religious poetry. Writing with a casual grace, Parini avoids jargon and makes his case in concise, direct terms: the mind of the poet supplies a light to the minds of others, kindling their imaginations, helping them to live their lives. The author’s love of poetry suffuses this insightful book--a volume for all readers interested in a fresh introduction to the art that lies at the center of Western civilization.
Call Us What We Carry by
The instant #1 New York Times, Wall Street Journal, and USA Today bestseller The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.
Time is a mother by
A National Poetry Series winner, chosen by Eileen Myles. Set to the music of rain, these shattered elegies seek communion in the ethereal place between birth and death. "As a reader I feel included a lot in Julie Carr's hard and beautiful book. I can pretty much hear its author speak--a whispering that enables us into its world . . . a masterfully sutured journey, painfully useful.Sarah--Of Fragments and Lines is a book I know I will return to. And urge it on my friends who have lives too and write in them."--Eileen Myles "Julie Carr's harrowing new book is composed of a complex music of grief and fragmentation that illuminates the fragile distance between mothers and daughters. To readSarah--Of Fragments and Lines is to recall once again that memory might just be the singular attribute of being human and that there can be no poetics of daily life that does not confront loss. Such is the domain of love; such is the vocation of poetry."--Peter Gizzi In the wake of a mother's battle with Alzheimer's and a child's impending birth, Julie Carr gathers the shards of both mourning and joy to give readers poems that encompass it all: "Zebra and xylophone cyclone and sorrow." Here she says, "Since I lost her I stored her like ore in my / form as if later I'd find her, restore her," giving voice to the longing that accompanies life's most profound losses and its most anticipated arrivals.
