The Poet X by
Winner of the National Book Award for Young People's Literature, the Michael L. Printz Award, and the Pura Belpré Award! Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers--especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami's determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school's slam poetry club, she doesn't know how she could ever attend without her mami finding out. But she still can't stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. "Crackles with energy and snaps with authenticity and voice." --Justina Ireland, author of Dread Nation "An incredibly potent debut." --Jason Reynolds, author of the National Book Award Finalist Ghost "Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero." --Ibi Zoboi, author of American Street
Solito by
Javier Zamora's adventure is a three-thousand-mile journey from his small town in El Salvador, through Guatemala and Mexico, and across the U.S. border. He will leave behind his beloved aunt and grandparents to reunite with a mother who left four years ago and a father he barely remembers. Traveling alone amid a group of strangers and a "coyote" hired to lead them to safety,
The Man Who Could Move Clouds by
PULITZER PRIZE FINALIST * NATIONAL BOOK AWARD FINALIST * From the bestselling author of Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy. A BEST BOOK OF THE YEAR: TIME, NPR, VULTURE, PEOPLE, BOSTON GLOBE, VANITY FAIR, ESQUIRE, & MORE "Rojas Contreras reacquaints herself with her family's past, weaving their stories with personal narrative, unraveling legacies of violence, machismo and colonialism... In the process, she has written a spellbinding and genre-defying ancestral history."--New York Times Book Review For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother's fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called "the secrets": the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit "the secrets," Rojas Contreras' mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water. This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to "the secrets." In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono's remains. With Mami as her unpredictable, stubborn, and often amusing guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe "the secrets" are a gift, and those who are convinced they are a curse. Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.
First Gen by
An unflinching memoir and "invaluable resource" (Kirkus) about navigating social mobility as a first gen Latina--offering both a riveting personal story and an examination of the unacknowledged emotional tolls of being a trailblazer. Alejandra Campoverdi has been a child on welfare, a White House aide to President Obama, a Harvard graduate, a gang member's girlfriend, and a candidate for U.S. Congress. She's ridden on Air Force One and in G-rides. She's been featured in Maxim magazine and had a double mastectomy. Living a life of contradictory extremes often comes with the territory when you're a "First and Only." It also comes at a price. With candor and heart, Alejandra retraces her trajectory as a Mexican American woman raised by an immigrant single mother in Los Angeles. Foregoing the tidy bullet points of her resume and instead shining a light on the spaces between them, what emerges is a powerful testimony that shatters the one-dimensional glossy narrative we are often sold of what it takes to achieve the American Dream. In this timely and revealing reflection, Alejandra draws from her own experiences to name and frame the challenges First and Onlys often face, illuminating a road to truth, healing, and change in the process. Part memoir, part manifesto, FIRST GEN is a story of generational inheritance, aspiration, and the true meaning of belonging--a gripping journey to "reclaim the parts of ourselves we sacrificed in order to survive." *A NATIONAL BESTSELLER* Winner of the Martin Cruz Smith Award (CALIBA) 2024 Council for Opportunity in Education National Book Club Selection Longlisted for the Outstanding Works of Literature (OWL) Award for First Year Experience
Wild Tongues Can't Be Tamed: 15 Voices from the Latinx Diaspora by
A Most Anticipated Book (Refinery29, HipLatina, Publishers Weekly, Latino Book Review, Elle, Al Día, and more)!Edited by The Bronx Is Reading founder Saraciea J. Fennell and featuring an all-star cast of Latinx contributors, Wild Tongues Can't Be Tamed is a ground-breaking anthology that will spark dialogue and inspire hope.In Wild Tongues Can't Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community. The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Saraciea J. Fennell, Kahlil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi.
My Beloved World by
The first Hispanic and third woman appointed to the United States Supreme Court, Sonia Sotomayor has become an instant American icon. Now, with a candor and intimacy never undertaken by a sitting Justice, she recounts her life from a Bronx housing project to the federal bench, a journey that offers an inspiring testament to her own extraordinary determination and the power of believing in oneself. Here is the story of a precarious childhood, with an alcoholic father (who would die when she was nine) and a devoted but overburdened mother, and of the refuge a little girl took from the turmoil at home with her passionately spirited paternal grandmother. But it was when she was diagnosed with juvenile diabetes that the precocious Sonia recognized she must ultimately depend on herself. She would learn to give herself the insulin shots she needed to survive and soon imagined a path to a different life. With only television characters for her professional role models, and little understanding of what was involved, she determined to become a lawyer, a dream that would sustain her on an unlikely course, from valedictorian of her high school class to the highest honors at Princeton, Yale Law School, the New York County District Attorney's office, private practice, and appointment to the Federal District Court before the age of forty. Along the way we see how she was shaped by her invaluable mentors, a failed marriage, and the modern version of extended family she has created from cherished friends and their children. Through her still-astonished eyes, America's infinite possibilities are envisioned anew in this warm and honest book, destined to become a classic of self-invention and self-discovery.
Violeta by
NEW YORK TIMES BESTSELLER * This sweeping novel from the author of A Long Petal of the Sea tells the epic story of Violeta Del Valle, a woman whose life spans one hundred years and bears witness to the greatest upheavals of the twentieth century. "An immersive saga about a passion-filled life."--People ONE OF THE BEST BOOKS OF THE YEAR: PopSugar, Real Simple, Reader's Digest Violeta comes into the world on a stormy day in 1920, the first girl in a family with five boisterous sons. From the start, her life is marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth. Through her father's prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known. Her family loses everything and is forced to retreat to a wild and beautiful but remote part of the country. There, she will come of age, and her first suitor will come calling. She tells her story in the form of a letter to someone she loves above all others, recounting times of devastating heartbreak and passionate affairs, poverty and wealth, terrible loss and immense joy. Her life is shaped by some of the most important events of history: the fight for women's rights, the rise and fall of tyrants, and ultimately not one, but two pandemics. Through the eyes of a woman whose unforgettable passion, determination, and sense of humor carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.
Furia by
A Reese's Book Club YA Pick! In Rosario, Argentina, Camila Hassan lives a double life. At home, she is a careful daughter, living within her mother's narrow expectations, in her rising-soccer-star brother's shadow, and under the abusive rule of her short-tempered father. On the field, she is La Furia, a powerhouse of skill and talent. When her team qualifies for the South American tournament, Camila gets the chance to see just how far those talents can take her. In her wildest dreams, she'd get an athletic scholarship to a North American university. But the path ahead isn't easy. Her parents don't know about her passion. They wouldn't allow a girl to play fútbol - and she needs their permission to go any farther. And the boy she once loved is back in town. Since he left, Diego has become an international star, playing in Italy for the renowned team Juventus. Camila doesn't have time to be distracted by her feelings for him. Things aren't the same as when he left: she has her own passions and ambitions now, and La Furia cannot be denied. As her life becomes more complicated, Camila is forced to face her secrets and make her way in a world with no place for the dreams and ambition of a girl like her. Filled with authentic details and the textures of day-to-day life in Argentina, heart-soaring romance, and breathless action on the pitch, Furia is the story of a girl's journey to make her life her own.
I Am Not Your Perfect Mexican Daughter by
#1 NEW YORK TIMES BESTSELLER * A "stunning" (America Ferrera) YA novel about a teenager coming to terms with losing her sister and finding herself amid the pressures, expectations, and stereotypes of growing up in a Mexican American home. "Alive and crackling--a gritty tale wrapped in a page-turner. "--The New York Times Perfect Mexican daughters do not go away to college. And they do not move out of their parents' house after high school graduation. Perfect Mexican daughters never abandon their family. But Julia is not your perfect Mexican daughter. That was Olga's role. Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed. But it's not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister's story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?
This Is How You Lose Her by
Finalist for the 2012 National Book Award A Time and People Top 10 Book of 2012 Finalist for the 2012 Story Prize Chosen as a notable or best book of the year by The New York Times, Entertainment Weekly, The LA Times, Newsday, Barnes & Noble, Amazon, the iTunes bookstore, and many more... "Electrifying." -The New York Times Book Review "Exhibits the potent blend of literary eloquence and street cred that earned him a Pulitzer Prize... Díaz's prose is vulgar, brave, and poetic." -O Magazine From the award-winning author, a stunning collection that celebrates the haunting, impossible power of love. On a beach in the Dominican Republic, a doomed relationship flounders. In a New Jersey laundry room, a woman does her lover's washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness--and by the extraordinary women he loves and loses. In prose that is endlessly energetic, inventive, tender, and funny, these stories lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that "the half-life of love is forever."
Liliana's Invincible Summer (Pulitzer Prize Winner) by
PULITZER PRIZE WINNER * NATIONAL BOOK AWARD FINALIST * A NEW YORK TIMES NOTABLE BOOK * "A searing account of grief and the quest to bring her sister's murderer to justice years after the fact" (The Boston Globe), from "one of Mexico's greatest living writers" (Jonathan Lethem). "Part memoir, part true-crime story, Garza's chronicle is both personal and political."--The Washington Post A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, Time, Chicago Public Library, She Reads, Electric Lit October 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. "My name is Cristina Rivera Garza," she writes in her request to the attorney general, "and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990." It's been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend. Inspired by feminist movements across the world and enraged by the global epidemic of femicide and intimate partner violence, Cristina embarks on a path toward justice. Liliana's Invincible Summer is the account--and the outcome--of that quest . In luminous, poetic prose, Rivera Garza tells a singular yet universally resonant story: Liliana is a spirited, wondrously hopeful young woman who tried to survive in a world of increasingly normalized gendered violence. Rivera Garza traces her sister's history, depicting everything from Liliana's early romance with a handsome but possessive and short-tempered man to that exhilarating final summer of 1990 when she loved, thought, and traveled more widely and freely than she ever had before. Using her skills as an acclaimed scholar, novelist, and poet, Rivera Garza collected and curated evidence--handwritten letters, police reports, school notebooks, interviews with Liliana's loved ones--to document her sister's life. Through this remarkable and genre-defying memoir, she confronts the trauma of losing her sister and examines how this tragedy continues to shape who she is--and what she fights for--today.
Crying in the Bathroom: a Memoir by
"Equal parts pee-your-pants hilarity and break your heart poignancy- like the perfect brunch date you never want to end!"--America Ferrera, Emmy award-winning actress in Ugly Betty From the New York Times bestselling author of I Am Not Your Perfect Mexican Daughter, an utterly original memoir-in-essays that is as deeply moving as it is disarmingly funny Growing up as the daughter of Mexican immigrants in Chicago in the '90s, Erika L. Sánchez was a self-described pariah, misfit, and disappointment--a foul-mouthed, melancholic rabble-rouser who painted her nails black but also loved comedy and dreamed of an unlikely life as a poet. Twenty-five years later, she's now an award-winning novelist, poet, and essayist, but she's still got an irrepressible laugh, an acerbic wit, and singular powers of perception about the world around her. In these essays about everything from sex to white feminism to debilitating depression to the redemptive pursuits of spirituality, art, and travel, Sánchez reveals an interior life that is rich with ideas, self-awareness, and perception--that of a woman who charted a path entirely of her own making. Raunchy, insightful, unapologetic, and brutally honest, Crying in the Bathroom is Sánchez at her best: a book that will make you feel that post-confessional high that comes from talking for hours with your best friend.
My Broken Language by
GOOD MORNING AMERICA BUZZ PICK * The Pulitzer Prize-winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse. "Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories."--Lin-Manuel Miranda, award-winning creator of Hamilton and In the Heights ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, BookRiot Quiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio--even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance. She'd have to find her language. Weaving together Hudes's love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging--narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty. LONGLISTED FOR THE ANDREW CARNEGIE MEDAL
Trejo: My Life of Crime, Redemption, and Hollywood by
INSTANT NEW YORK TIMES BESTSELLER "If you're a fan like I am this is definitely the book for you." --Pete Davidson, actor, producer, and cast member on Saturday Night Live "Danny's incredible life story shows that even though we may fall down at some point in our lives, it's what we do when we stand back up that really counts." --Robert Rodriguez, creator of Spy Kids, Desperado, and Machete Discover the full, fascinating, and inspirational true story of Danny Trejo's journey from crime, prison, addiction, and loss--it's "enough to make you believe in the possibility of a Hollywood ending" (The New York Times Book Review). On screen, Danny Trejo the actor is a baddie who has been killed at least a hundred times. He's been shot, stabbed, hanged, chopped up, squished by an elevator, and once, was even melted into a bloody goo. Off screen, he's a hero beloved by recovery communities and obsessed fans alike. But the real Danny Trejo is much more complicated than the legend. Raised in an abusive home, Danny struggled with heroin addiction and stints in some of the country's most notorious state prisons--including San Quentin and Folsom--from an early age, before starring in such modern classics as Heat, From Dusk till Dawn, and Machete. Now, in this funny, painful, and suspenseful memoir, Danny takes us through the incredible ups and downs of his life, including meeting one of the world's most notorious serial killers in prison and working with legends like Charles Bronson and Robert De Niro. An honest, unflinching, and "inspirational study in the definition of character" (Kevin Smith, director and actor), Trejo reveals how he managed the horrors of prison, rebuilt himself after finding sobriety and spirituality in solitary confinement, and draws inspiration from the adrenaline-fueled robbing heists of his past for the film roles that made him a household name. He also shares the painful contradictions in his personal life. Although he speaks everywhere from prison yards to NPR about his past to inspire countless others on their own road to recovery and redemption, he struggles to help his children with their personal battles with addiction, and to build relationships that last. Redemptive and painful, poignant and real, Trejo is a portrait of a magnificent life and an unforgettable and exceptional journey.
The Undocumented Americans by
NATIONAL BOOK AWARD FINALIST * One of the first undocumented immigrants to graduate from Harvard reveals the hidden lives of her fellow undocumented Americans in this deeply personal and groundbreaking portrait of a nation. "Karla's book sheds light on people's personal experiences and allows their stories to be told and their voices to be heard."--Selena Gomez FINALIST FOR THE NBCC JOHN LEONARD AWARD * NAMED A BEST BOOK OF THE YEAR BY THE LOS ANGELES TIMES, THE NEW YORK TIMES BOOK REVIEW, NPR, THE NEW YORK PUBLIC LIBRARY, BOOK RIOT, LIBRARY JOURNAL, AND TIME Writer Karla Cornejo Villavicencio was on DACA when she decided to write about being undocumented for the first time using her own name. It was right after the election of 2016, the day she realized the story she'd tried to steer clear of was the only one she wanted to tell. So she wrote her immigration lawyer's phone number on her hand in Sharpie and embarked on a trip across the country to tell the stories of her fellow undocumented immigrants--and to find the hidden key to her own. Looking beyond the flashpoints of the border or the activism of the DREAMers, Cornejo Villavicencio explores the lives of the undocumented--and the mysteries of her own life. She finds the singular, effervescent characters across the nation often reduced in the media to political pawns or nameless laborers. The stories she tells are not deferential or naively inspirational but show the love, magic, heartbreak, insanity, and vulgarity that infuse the day-to-day lives of her subjects. In New York, we meet the undocumented workers who were recruited into the federally funded Ground Zero cleanup after 9/11. In Miami, we enter the ubiquitous botanicas, which offer medicinal herbs and potions to those whose status blocks them from any other healthcare options. In Flint, Michigan, we learn of demands for state ID in order to receive life-saving clean water. In Connecticut, Cornejo Villavicencio, childless by choice, finds family in two teenage girls whose father is in sanctuary. And through it all we see the author grappling with the biggest questions of love, duty, family, and survival. In her incandescent, relentlessly probing voice, Karla Cornejo Villavicencio combines sensitive reporting and powerful personal narratives to bring to light remarkable stories of resilience, madness, and death. Through these stories we come to understand what it truly means to be a stray. An expendable. A hero. An American.
Creep by
A NATIONAL BOOK CRITICS CIRCLE FINALIST A LAMBDA LITERARY AWARD FINALIST "Quite simply one of the best books of the decade." --Los Angeles Review of Books * "The mother of intersectional Latinx identity." --Cosmopolitan * "Brilliant...a hopeful book...rooted in the steadfast belief other worlds are possible." --The New York Observer * "Witty, confident, and effortlessly provocative." --The Philadelphia Inquirer * "The most fearless writer in America." --Luis Alberto Urrea, Pulitzer Prize finalist and author of Good Night, Irene A ruthless and razor-sharp essay collection that tackles the pervasive, creeping oppression and toxicity that has wormed its way into society--in our books, schools, and homes, as well as the systems that perpetuate them--from one of our fiercest, foremost explorers of intersectional Latinx identity. A creep can be a single figure, a villain who makes things go bump in the night. Yet creep is also what the fog does--it lurks into place to do its dirty work, muffling screams, obscuring the truth, and providing cover for those prowling within it. Creep is "sharp, conversational cultural criticism" (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others--some famous, some infamous, some you've never heard of but will likely never forget--to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes. With her ruthless mind, wry humor, and adventurous style, Gurba implicates everyone from William Burroughs to her grandfather, from Joan Didion to her own abusive ex-partner; she takes aim at everything from public school administrations to the mainstream media, from Mexican stereotypes to the carceral state. Weaving her own history and identity throughout, she argues for a new way of conceptualizing oppression, and she does it with her signature blend of bravado and humility.
Islands Apart: Becoming Dominican American by
"Jasminne Mendez didn't speak English when she started kindergarten, and her young, white teacher thought the girl was deaf because in Louisiana, you were either black or white. She had no idea that a black girl could be a Spanish speaker. In this memoir for teens about growing up Afro Latina in the Deep South, Jasminne writes about feeling torn between her Dominican, Spanish-speaking culture at home and the American, English-speaking one around her. She desperately wanted to fit in, to be seen as American, and she realized early on that language mattered. Learning to read and write English well was the road to acceptance. Mendez shares typical childhood experiences such as having an imaginary friend, boys and puberty, but she also exposes the anti-black racism within her own family and the conflict created by her family's conservative traditions. She was not allowed to do things other girls could, like date boys, shave her legs or wear heels. "I wanted us to find some common ground," she writes about her parents, "but it seemed like we were from two different worlds, and our islands kept drifting farther and farther apart." Despite her father's old-style approach to raising girls, he valued education and insisted his daughters do well in school and maintain their native language. He took his children to hear Maya Angelou speak, and hearing the poet read was a defining moment for the black Dominican girl who struggled to fit in. "I decided that if Maya Angelou could be the author of her own story and rewrite her destiny to become a phenomenal woman, then somehow, so could I." Teens-and adults too-will appreciate reading about Mendez's experiences coming of age in the United States as both black and Latina."
Neruda on the Park by
NEW YORK TIMES EDITORS' CHOICE * An exhilarating debut novel following members of a Dominican family in New York City who take radically different paths when faced with encroaching gentrification "Strikes all the right notes--captivating characters, lyrical language, and a storyline that captures your imagination and refuses to let go . . . an unforgettable debut!"--Tayari Jones, New York Times bestselling author of An American Marriage ONE OF THE BEST BOOKS OF THE YEAR: PopSugar The Guerreros have lived in Nothar Park, a predominantly Dominican part of New York City, for twenty years. When demolition begins on a neighboring tenement, Eusebia, an elder of the community, takes matters into her own hands by devising an increasingly dangerous series of schemes to stop construction of the luxury condos. Meanwhile, Eusebia's daughter, Luz, a rising associate at a top Manhattan law firm who strives to live the bougie lifestyle her parents worked hard to give her, becomes distracted by a sweltering romance with the handsome white developer at the company her mother so vehemently opposes. As Luz's father, Vladimir, secretly designs their retirement home in the Dominican Republic, mother and daughter collide, ramping up tensions in Nothar Park, racing toward a near-fatal climax. A beautifully layered portrait of family, friendship, and ambition, Neruda on the Park weaves a rich and vivid tapestry of community as well as the sacrifices we make to protect what we love most, announcing Cleyvis Natera as an electrifying new voice.
Our Share of Night by
"A masterpiece of supernatural horror."--The Washington Post "An enchanting, shattering, once-in-a-lifetime reading experience."--The New York Times (Editors' Choice) ONE OF TIME AND THE ATLANTIC'S TEN BEST NOVELS OF THE YEAR * ONE OF THE NEW YORK TIMES'S TEN BEST HORROR BOOKS OF THE YEAR * LONGLISTED FOR THE DUBLIN LITERARY AWARD * GOOD MORNING AMERICA BUZZ PICK A woman's mysterious death puts her husband and son on a collision course with her demonic family in the first novel to be translated into English by the International Booker Prize-shortlisted author of The Dangers of Smoking in Bed--"the most exciting discovery I've made in fiction for some time" (Kazuo Ishiguro). A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, Esquire, Publishers Weekly, BookPage, Book Riot, PopSugar, The New York Public Library, Chicago Public Library, Polygon, Tordotcom, Lit Hub, Electric Lit, Commonweal, CrimeReads "A magnificent accomplishment."--Alan Moore, author of Watchmen "A masterpiece of literary horror."--Publishers Weekly, starred review "One of Latin America's most exciting authors."--Silvia Moreno-Garcia A young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality. For Gaspar, the son, this maniacal cult is his destiny. As the Order tries to pull him into their evil, he and his father take flight, attempting to outrun a powerful clan that will do anything to ensure its own survival. But how far will Gaspar's father go to protect his child? And can anyone escape their fate? Moving back and forth in time, from London in the swinging 1960s to the brutal years of Argentina's military dictatorship and its turbulent aftermath, Our Share of Night is a novel like no other: a family story, a ghost story, a story of the occult and the supernatural, a book about the complexities of love and longing with queer subplots and themes. This is the masterwork of one of Latin America's most original novelists, "a mesmerizing writer," says Dave Eggers, "who demands to be read."
Infinite Country by
A REESE'S BOOK CLUB PICK and INSTANT NEW YORK TIMES BESTSELLER WINNER OF THE 2021 NEW AMERICAN VOICES AWARD, LONGLISTED FOR THE 2022 ANDREW CARNEGIE MEDAL, A 2022 DAYTON LITERARY PEACE PRIZE FINALIST, AND A NATIONAL ENDOWMENT OF THE ARTS "BIG READS" SELECTION "A profound, beautiful novel." --People * "Poignant." --BuzzFeed * "A breathtaking story of the unimaginable prices paid for a better life." --Esquire This "heartbreaking portrait of a family dealing with the realities of migration and separation" (Time) is "a sweeping love story and tragic drama [and] an authentic vision of what the American Dream looks like in a nationalistic country" (Elle). I often wonder if we are living the wrong life in the wrong country. Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to Bogotá, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family. How this family came to occupy two different countries, two different worlds, comes into focus like twists of a kaleidoscope. We see Talia's parents, Mauro and Elena, fall in love in a market stall as teenagers against a backdrop of civil war and social unrest. We see them leave Bogotá with their firstborn, Karina, in pursuit of safety and opportunity in the United States on a temporary visa, and we see the births of two more children, Nando and Talia, on American soil. We witness the decisions and indecisions that lead to Mauro's deportation and the family's splintering--the costs they've all been living with ever since. Award-winning, internationally acclaimed author Patricia Engel, herself a dual citizen and the daughter of Colombian immigrants, gives voice to all five family members as they navigate the particulars of their respective circumstances. Rich with Bogotá urban life, steeped in Andean myth, and tense with the daily reality of the undocumented in America, Infinite Country "is as much an all-American story as it is a global one" (Booklist, starred review).
Silver Nitrate by
NATIONAL BESTSELLER * From the author of The Daughter of Doctor Moreau and Mexican Gothic comes a fabulous meld of Mexican horror movies and Nazi occultism: a dark thriller about the curse that haunts a legendary lost film--and awakens one woman's hidden powers. "No one punctures the skin of reality to reveal the lurking, sinister magic beneath better than Silvia Moreno-Garcia."--Kiersten White, author of Hide LOCUS AWARD FINALIST * A BEST BOOK OF THE YEAR: The New York Times Book Review, The Washington Post, Tordotcom, Polygon, CrimeReads, BookPage, Book Riot Montserrat has always been overlooked. She's a talented sound editor, but she's left out of the boys' club running the film industry in '90s Mexico City. And she's all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she's been in love with him since childhood. Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives--even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed. Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse . . . but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend. As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.
It Is Wood, It Is Stone by
"A lush depiction of privilege and power, sex and stability . . . following three women in São Paulo . . . It Is Wood, It Is Stone is an elegant arrival of a new talent."--Elle NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Good Housekeeping * Marie Claire * Harper's Bazaar * Publishers Weekly With sharp, gorgeous prose, It Is Wood, It Is Stone takes place over the course of a year in São Paulo, Brazil, in which two women's lives intersect. Linda, an anxious and restless American, has moved to São Paulo, with her husband, Dennis, who has accepted a yearlong professorship. As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda's unwavering and skilled maid, Marta, has more claim to Linda's home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda's instability. One day, Linda leaves home with a charismatic and beguiling artist, whom she joins on a fervent adventure that causes reverberations felt by everyone, and ultimately binds Marta and Linda in a profoundly human, and tender, way. An exquisite debut novel by young Brazilian American author Gabriella Burnham, It Is Wood, It Is Stone is about women whose romantic and subversive entanglements reflect on class and colorism, sexuality, and complex, divisive histories.
The Wind Knows My Name by
NATIONAL BESTSELLER * "The lives of a Jewish boy escaping Nazi-occupied Europe and a mother and daughter fleeing twenty-first-century El Salvador intersect in this ambitious, intricate novel about war and immigration" (People), from the author of A Long Petal of the Sea and Violeta "Timely, provocative . . . emotionally satisfying . . . [a story about] the kindness of strangers who become family."--The New York Times Book Review AN NPR BEST BOOK OF THE YEAR Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht--the night his family loses everything. As her child's safety becomes ever harder to guarantee, Samuel's mother secures a spot for him on a Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin. Arizona, 2019. Eight decades later, Anita Díaz and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. But their arrival coincides with the new family separation policy, and seven-year-old Anita finds herself alone at a camp in Nogales. She escapes her tenuous reality through her trips to Azabahar, a magical world of the imagination. Meanwhile, Selena Durán, a young social worker, enlists the help of a successful lawyer in hopes of tracking down Anita's mother. Intertwining past and present, The Wind Knows My Name tells the tale of these two unforgettable characters, both in search of family and home. It is both a testament to the sacrifices that parents make and a love letter to the children who survive the most unfathomable dangers--and never stop dreaming.
Out of Darkness by
A Michael L. Printz Honor Book"This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?"New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive.Ashley Hope Pérez takes the facts of the 1937 New London school explosion--the worst school disaster in American history--as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people."[This] layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine."--The New York Times Book Review"Pérez deftly weaves [an] unflinchingly intense narrative....A powerful, layered tale of forbidden love in times of unrelenting racism."―starred, Kirkus Reviews"This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory....Set against the backdrop of an actual historical event, Pérez...gives voice to many long-omitted facets of U.S. history."―starred, School Library Journal
Mexican Gothic by
NEW YORK TIMES BESTSELLER * "It's Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird."--The Guardian ONE OF TIME'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME * WINNER OF THE LOCUS AWARD * NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men's Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes "a terrifying twist on classic gothic horror" (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She's not sure what she will find--her cousin's husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She's a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she's also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin's new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi's dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family's youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family's past. For there are many secrets behind the walls of High Place. The family's once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. "It's as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic."--The Washington Post "Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre's most exciting talents."--Nerdist "A period thriller as rich in suspense as it is in lush '50s atmosphere."--Entertainment Weekly
Say Hello to My Little Friend by
Scarface meets Moby Dick in Say Hello to My Little Friend--"a masterclass in pace and precision...brilliant" (Nana Kwame Adjei-Brenyah, National Book Award Finalist of Chain Gang All Stars) about a young man's attempt to capitalize on his mother's murky legacy--a story steeped in Miami's marvelous and sinister magic. Failed Pitbull impersonator Ismael Reyes--you can call him Izzy--might not be the Scarface type, but why should that keep him from trying? Growing up in Miami has shaped him into someone who dreams of being the King of the 305, with the money, power, and respect he assumes comes with it. After finding himself at the mercy of a cease-and-desist letter from Pitbull's legal team and living in his aunt's garage, Izzy embarks on an absurd quest to turn himself into a modern-day Tony Montana. When Izzy's efforts lead him to the tank that houses Lolita, a captive orca at the Miami Seaquarium, she proves just how powerful she and the water surrounding her really are--permeating everything from Miami's sinking streets to Izzy's memories to the very heart of the novel itself. What begins as Izzy's story turns into a super-saturated fever dream as sprawling and surreal as the Magic City, one as sharp as an iguana's claws, and as menacing as a killer whale's teeth. As the truth surrounding Izzy's boyhood escape from Cuba surfaces, the novel reckons with the forces of nature, with the limits and absence of love, and with the dangers of pursuing a tragic inheritance. "Blistering, hilarious, [and] tragic" (The Miami Herald), Say Hello to My Little Friend is Jennine Capó Crucet's most daring, heartbreaking, and fearless book yet.
Until August by
NEW YORK TIMES BEST SELLER * The extraordinary rediscovered novel from the Nobel Prize-winning author of Love in the Time of Cholera and One Hundred Years of Solitude--a moving tale of female desire and abandon Sitting alone beside the languorous blue waters of the lagoon, Ana Magdalena Bach contemplates the men at the hotel bar. She has been happily married for twenty-seven years and has no reason to escape the life she has made with her husband and children. And yet, every August, she travels by ferry here to the island where her mother is buried, and for one night takes a new lover. Across sultry Caribbean evenings full of salsa and boleros, lotharios and conmen, Ana journeys further each year into the hinterland of her desire and the fear hidden in her heart. Constantly surprising, joyously sensual, Until August is a profound meditation on freedom, regret, self-transformation, and the mysteries of love--an unexpected gift from one of the greatest writers the world has ever known.
Not Even the Dead by
The conquest of Mexico is over, and Juan de Tonanes is one of so many soldiers without glory who roam like beggars for the land they helped subdue. When he receives one last mission, to hunt down a renegade Indian who's called the Father and who preaches a dangerous heresy, he understands that this may be his last chance to carve himself the future he's always dreamed of. But as he goes deep into the unexplored lands of the north following the Father's trace, he will discover the footprints of a man who seems not only a man, but a prophet destined to transform his time and even the times to come. Not Even the Dead is the story of a persecution that transcends territories and centuries; a path pointing northward, always northward, that is to say, always toward the future, on a hallucinated journey from the sixteenth century New Spain to today's Trump wall. Old conquerors on horseback and migrants riding the roofs of the Beast, rebellious Indians and peasants waiting patiently for a better world, Mexican revolutionaries who take their rifles and women murdered in the desert of Ciudad Juarez, all pass by it. All of them share the same landscape and the same hope, the arrival of the Father who will bring justice to the oppressed.
Pedro Páramo by
NATIONAL BESTSELLER * SOON TO BE A NETFLIX FILM "One of the best novels in Hispanic literature, and in literature as a whole." --Jorge Luis Borges The highly influential masterpiece of Latin American literature, now published in a new, authoritative translation, and featuring a foreword by Gabriel García Márquez A masterpiece of the surreal that influenced a generation of writers in Latin America, Pedro Páramo is the otherworldly tale of one man's quest for his lost father. That man swears to his dying mother that he will find the father he has never met--Pedro Páramo--but when he reaches the town of Comala, he finds it haunted by memories and hallucinations. There emerges the tragic tale of Páramo himself, and the town whose every corner holds the taint of his rotten soul. Although initially published to a quiet reception, Pedro Páramo was soon recognized as a major novel that has served as a touchstone text for writers including Mario Vargas Llosa and José Donoso. Now published in a new translation from the definitive Spanish edition by celebrated Rulfo scholar Douglas J. Weatherford, and featuring a foreword by Gabriel García Márquez, this new edition of the novel cements its place as one of the seminal literary texts of the twentieth century.
Retrospective by
An epic yet intimate novel about a Colombian man caught up in the sweep of global historical and ideological revolutions. The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It's a hard time for him: his father, famous actor Fausto Cabrera, has just died; his marriage is in crisis; and his home country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few intense days, as his films are on exhibit, Sergio recalls the events that marked his family's unusual and dramatic lives: especially his father's, his sister Marianella's and his own. Growing up in Colombia as the children of famous actors, Sergio and Marianella were privileged and artistic, until their parents became disillusioned with bourgeois conventions and moved the entire family to China. Mao's Cultural Revolution was underway and the family lived in an entirely ex-pat hotel where they learned Chinese and joined the revolution, became members of the Red Guard, and trained as guerilla fighters. When they returned to Colombia to support the revolution there, they were sent into the countryside to join the guerilla force, were shot at and nearly died. Out of these lives molded by ideology and zealotry, came an artistic second life for Sergio as he escaped the movement and became his country's most celebrated film director. From the Spanish Civil War to the exile of his family to Latin America, and from the Cultural Revolution in China to the guerrilla movements of 1960s Colombia, Sergio and his family's experience is extraordinary by any standards. Equal parts family saga and epic historical novel, Retrospective reveals the story of one man and his family -- based on real people and events -- and a devastating portrait of the forces that shaped their lives, and for half a century turned the world upside down.
Chola Salvation by
This collection of inter-related short stories examines the lives of Mexicans and Mexican Americans in East Los Angeles.
Canción by
From internationally celebrated Eduardo Halfon comes a new installment in his hero's nomadic odyssey as he searches for answers surrounding his grandfather's abduction In Canción, Eduardo Halfon's eponymous wanderer is invited to a Lebanese writers' conference in Japan, where he reflects on his Jewish grandfather's multifaceted identity. To understand more about the cold, fateful day in January 1967 when his grandfather was abducted by Guatemalan guerillas, Halfon searches his childhood memories. Soon, chance encounters around the world lead to more clues about his grandfather's captors, including a butcher nicknamed "Canción" (or song). As a brutal and complex history emerges against the backdrop of the Guatemalan Civil War, Halfon finds echoes in the stories of a woman he meets in Japan whose grandfather survived the atomic bombing of Hiroshima. Through exquisite prose and intricate storytelling, Halfon exposes the atrocities of war and the effect that silence and extreme violence have on family and identity.
It Is Wood, It Is Stone by
"A lush depiction of privilege and power, sex and stability . . . following three women in São Paulo . . . It Is Wood, It Is Stone is an elegant arrival of a new talent."--Elle NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Good Housekeeping * Marie Claire * Harper's Bazaar * Publishers Weekly With sharp, gorgeous prose, It Is Wood, It Is Stone takes place over the course of a year in São Paulo, Brazil, in which two women's lives intersect. Linda, an anxious and restless American, has moved to São Paulo, with her husband, Dennis, who has accepted a yearlong professorship. As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda's unwavering and skilled maid, Marta, has more claim to Linda's home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda's instability. One day, Linda leaves home with a charismatic and beguiling artist, whom she joins on a fervent adventure that causes reverberations felt by everyone, and ultimately binds Marta and Linda in a profoundly human, and tender, way. An exquisite debut novel by young Brazilian American author Gabriella Burnham, It Is Wood, It Is Stone is about women whose romantic and subversive entanglements reflect on class and colorism, sexuality, and complex, divisive histories.
Once I Was You: a Memoir of Love and Hate in a Torn America by
NPR's Best Books of 2020 BookPage's Best Books of 2020 Real Simple's Best Books of 2020 Boston.com readers voted one of Best Books of 2020 "Anyone striving to understand and improve this country should read her story." --Gloria Steinem, author of My Life on the Road The Emmy Award-winning journalist and anchor of NPR's Latino USA tells the story of immigration in America through her family's experiences and decades of reporting, painting an unflinching portrait of a country in crisis in this memoir that is "quite simply beautiful, written in Maria Hinojosa's honest, passionate voice" (BookPage). Maria Hinojosa is an award-winning journalist who, for nearly thirty years, has reported on stories and communities in America that often go ignored by the mainstream media--from tales of hope in the South Bronx to the unseen victims of the War on Terror and the first detention camps in the US. Bestselling author Julia Álvarez has called her "one of the most important, respected, and beloved cultural leaders in the Latinx community." In Once I Was You, Maria shares her intimate experience growing up Mexican American on the South Side of Chicago. She offers a personal and illuminating account of how the rhetoric around immigration has not only long informed American attitudes toward outsiders, but also sanctioned willful negligence and profiteering at the expense of our country's most vulnerable populations--charging us with the broken system we have today. An urgent call to fellow Americans to open their eyes to the immigration crisis and understand that it affects us all, this honest and heartrending memoir paints a vivid portrait of how we got here and what it means to be a survivor, a feminist, a citizen, and a journalist who owns her voice while striving for the truth. Also available in Spanish as Una vez fui tú.
The King of Adobe by
In 1967, Reies Lopez Tijerina led an armed takeover of a New Mexico courthouse in the name of land rights for disenfranchised Spanish-speaking locals. The small-scale raid surprisingly thrust Tijerina and his cause into the national spotlight, catalyzing an entire generation of activists. The actions of Tijerina and his group, the Alianza Federal de Mercedes (the Federal Alliance of Land Grants), demanded that Americans attend to an overlooked part of the country's history: the United States was an aggressive empire that had conquered and colonized the Southwest and subsequently wrenched land away from border people--Mexicans and Native Americans alike. To many young Mexican American activists at the time, Tijerina and the Alianza offered a compelling and militant alternative to the nonviolence of Cesar Chavez and Martin Luther King Jr. Tijerina's place at the table among the nation's leading civil rights activists was short-lived, but his analysis of land dispossession and his prophetic zeal for the rights of his people was essential to the creation of the Chicano movement. This fascinating full biography of Tijerina (1926-2015) offers a fresh and unvarnished look at one of the most controversial, criticized, and misunderstood activists of the civil rights era. Basing her work on painstaking archival research and new interviews with key participants in Tijerina's life and career, Lorena Oropeza traces the origins of Tijerina's revelatory historical analysis to the years he spent as a Pentecostal preacher and his hidden past as a self-proclaimed prophet of God. Confronting allegations of anti-Semitism and accusations of sexual abuse, as well as evidence of extreme religiosity and possible mental illness, Oropeza's narrative captures the life of a man--alternately mesmerizing and repellant--who changed our understanding of the American West and the place of Latinos in the fabric of American struggles for equality and self-determination.
Other Musics: New Latina Poetry by
Latina poets occupy an important place in today's literary landscape. Coming from diverse backgrounds, they share an understanding of what it means to exist within the margins of society. As artists, they possess a dedication to their craft and a commitment to experimentation. Their voices--sometimes lyrical, sometimes autobiographical, sometimes politically charged--are distinctly female. Whereas previous anthologies have merged the works of Latino and Latina poets, this collection is the first to showcase Latina poetry on its own terms. For years readers have admired the poetry of prominent Latina authors Cherríe Moraga, Ana Castillo, and Sandra Cisneros. Building on their inspirational legacy, Other Musics heralds a new generation of Latina poets whose work blends traditional forms and styles with postmodern innovations. These poets do not fit neatly into one category. They come from all walks of life, from remarkably varied class, ethnic, occupational, and educational backgrounds. Their topics and concerns are wide-ranging. All of the poets, according to volume editor Cynthia Cruz, are creating "a new kind of music," one that embraces the "in-between" and bicultural world that Latina women must constantly straddle. The fifteen poets featured in this anthology are Desirée Alvarez, Karen Bradway, Xochiquetzal Candelaria, Diana Maria Delgado, Natalie Diaz, Carolina Ebeid, Sandy Florian, Carrie Fountain, Leticia Hernández-Linares, Ada Limón, Sheryl Luna, Kristin Naca, Deborah Paredez, Emmy Pérez, and Carmen Giménez Smith. Along with an ample selection of each of their poetry, Other Musics features an artist statement by each poet, in which she discusses her work, her writing practice, how she became a writer, and her views on the purpose and mission of poetry in the contemporary world.
Eat the Mouth That Feeds You by
WINNER OF THE WHITING AWARD PEN AMERICA LITERARY AWARD FINALIST Recommended by Héctor Tobar as an essential Los Angeles book in the New York Times. CarribeanFragoza's debut collection of stories reside in the domestic surreal,featuring an unusual gathering of Latinx and Chicanx voices from bothsides of the U.S./Mexico border, and universes beyond. "Eat the Mouth That Feeds You is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature."--Kali Fajardo-Anstine, New York Times Book Review, and author of Sabrina and Corina CarribeanFragoza's imperfect characters are drawn with a sympathetic tendernessas they struggle against circumstances and conditions designed to defeatthem. A young woman returns home from college, only to pick up exactlywhere she left off: a smart girl in a rundown town with no future. Amother reflects on the pain and pleasures of being inexorably consumedby her small daughter, whose penchant for ingesting grandma's lettershas extended to taking bites of her actual flesh. A brother and sisterwatch anxiously as their distraught mother takes an ax to their oldfurniture, and then to the backyard fence, until finally she attacks thefamily's beloved lime tree. Victories are excavated from therubble of personal hardship, and women's wisdom is brutally forged fromthe violence of history that continues to unfold on both sides of theUS-Mexico border. "Eat the Mouth that Feeds You renders the feminine grotesque at its finest."--Myriam Gurba, author of Mean "Eat the Mouth that Feeds You will establish Fragoza as an essential and important new voice in American fiction."--Héctor Tobar, author of The Barbarian Nurseries "Fierce and feminist, Eat the Mouth That Feeds You is a soul-quaking literary force."--Dontaná McPherson-Joseph, The Foreword, *Starred Review ".. . a work of power and a darkly brilliant talisman that enlarges innecessary ways the feminist, Latinx, and Chicanx canons."--Wendy Ortiz, Alta Magazine "Fragoza'ssurreal and gothic stories, focused on Latinx, Chicanx, and immigrantwomen's voices, are sure to surprise and move readers."--Zoe Ruiz, The Millions "Thiscollection of visceral, often bone-chilling stories centers the liminalworld of Latinos in Southern California while fraying reality at itsedges. Full of horror and wonder."--Kirkus Reviews, *Starred Review "Fragoza'sdebut collection delivers expertly crafted tales of Latinx peopletrying to make sense of violent, dark realities. Magical realism andgothic horror make for effective stylistic entryways, as Fragozaseamlessly blurs the lines between the corporeal and the abstract."--Publishers Weekly "The magic realism of Eat the Mouth that Feeds You is thoroughly worked into the fabric of the stories themselves . . . a wonderful debut."--Brian Evenson, author of Song for the Unraveling of the World
The President and the Frog by
A "sublime and gripping novel ... about hope: that within the world's messy pain there is still room for transformation and healing" (Madeline Miller, New York Times bestselling author of Circe), from the acclaimed author of Cantoras. "In the president's excruciating (and sometimes humorous) encounters with his strangely healing frog ... De Robertis daringly invites us to imagine a man's Promethean struggle to wrest control of his broken psyche under the most dire circumstances possible." --The New York Times Book Review At his modest home on the edge of town, the former president of an unnamed Latin American country receives a journalist in his famed gardens to discuss his legacy and the dire circumstances that threaten democracy around the globe. Once known as the Poorest President in the World, his reputation is the stuff of myth: a former guerilla who was jailed for inciting revolution before becoming the face of justice, human rights, and selflessness for his nation. Now, as he talks to the journalist, he wonders if he should reveal the strange secret of his imprisonment: while held in brutal solitary confinement, he survived, in part, by discussing revolution, the quest for dignity, and what it means to love a country, with the only creature who ever spoke back--a loud-mouth frog. As engrossing as it is innovative, vivid, moving, and full of wit and humor, The President and the Frog explores the resilience of the human spirit and what is possible when danger looms. Ferrying us between a grim jail cell and the president's lush gardens, the tale reaches beyond all borders and invites us to reimagine what it means to lead, to dare, and to dream.
You Dreamed of Empires by
"Enrigue's genius lies in his ability to bring readers close to its tangled knot of priests, mercenaries, warriors and princesses while adding a pinch of biting humor." --Silvia Moreno-Garcia, Los Angeles Times "Riotously entertaining... A triumph of solemnity-busting erudition and mischievous invention that will delight and titillate." --Financial Times From the visionary author of Sudden Death, a hallucinatory, revelatory colonial revenge story. One morning in 1519, conquistador Hernán Cortés enters the city of Tenochtitlan - today's Mexico City. Later that day, he will meet the emperor Moctezuma in a collision of two worlds, two empires, two languages, two possible futures. Cortés is accompanied by his captains, his troops, his prized horses, and his two translators: Friar Aguilar, a taciturn friar, and Malinalli, an enslaved, strategic Nahua princess. After nearly bungling their entrance fo the city, the Spaniards are greeted at a ceremonial welcome meal by the steely Aztec princess Atotoxtli, sister and wife of Moctezuma. As they await their meeting with the emperor - who is at a political and spiritual crossroads, and relies on hallucinogens to get by - Cortés and his entourage are ensconced in the labyrinthine palace. Soon, one of Cortés's captains, Jazmín Caldera, overwhelmed by the grandeur of the place, begins to question the ease with which they were welcomed into the city, and wonders at the chances of getting out alive, much less conquering the empire. And what if... they don't? You Dreamed of Empires brings Tenochtitlan to life at its height, and reimagines its destiny. The incomparably original Álvaro Enrigue sets afire the moment of conquest and turns it into a moment of revolution, a restitutive, fantastical counterattack, in a novel so electric and so unique that it feels like a dream.
Cross-Stitch by
A debut novel of female friendship and coming-of-age from Jazmina Barrera, acclaimed author of Linea Nigra and On Lighthouses, translated by Christina MacSweeney. It was meant to be the trip of a lifetime. Mila, Citlali, and Dalia, childhood friends now college aged, leave Mexico City for the London of The Clash and the Paris of Courbet. They anticipate the cafés and crushes, but not the early signs that they are each steadily, inevitably changing. That feels like forever ago. Mila, now a writer and a new mother, has just published a book on needlecraft--an art form so long dismissed as "women's work." But after learning Citlali has drowned, Mila begins to sift through her old scrapbooks, reflecting on their shared youth for the first time as a new wife and mother. What has come of all the nights the three friends spent embroidering together in silence? Did she miss the signs that Citlali needed help?
Hombrecito by
A novel by a brilliant new voice, Hombrecito is a queer coming-of-age story about a young immigrant's complex relationships with his mother and his motherland In this groundbreaking novel, Santiago Jose Sanchez plunges us into the heart of one boy's life. His mother takes him and his brother from Colombia to America, leaving their absent father behind but essentially disappearing herself once they get to Miami. In America, his mother works as a waitress when she was once a doctor. The boy embraces his queer identity as wholeheartedly as he embraces his new home, but not without a sense of loss. As he grows, his relationship with his mother becomes fraught, tangled, a love so intense that it borders on vivid pain but is also the axis around which his every decision revolves. She may have once forgotten him, disappeared, but she is always on his mind. He moves to New York, ducking in and out of bed with different men as he seeks out something, someone, to make him whole again. When his mother invites him to visit family in Colombia with her, he returns to the country as a young man, trying to find peace with his father, with his homeland, with who he's become since he left, and with who his mother is: finally we come to know her and her secrets, her complex ambivalence and fierce love. Hombrecito--"little man"--is a moving portrait of a young person between cultures, between different ideas of himself. From an extraordinary new talent, this is a story told with startling beauty and intensity, a story for anyone searching for home, searching for a way to love.