Here for It by
R. Eric Thomas didn't know he was different until the world told him so. Everywhere he went--whether it was his rich, mostly white, suburban high school, his conservative black church, or his Ivy League college in a big city--he found himself on the outside looking in. In essays by turns hysterical and heartfelt, Thomas reexamines what it means to be an "other" through the lens of his own life experience. He explores the two worlds of his childhood: the barren urban landscape where his parents' house was an anomalous bright spot, and the Eden-like school they sent him to in white suburbia. He writes about struggling to reconcile his Christian identity with his sexuality, the exhaustion of code-switching in college, accidentally getting famous on the internet (for the wrong reason), and the surreal experience of covering the 2016 election for Elle online, and the seismic changes that came thereafter. Ultimately, Thomas seeks the answer to these ever more relevant questions: Is the future worth it? Why do we bother when everything seems to be getting worse? As the world continues to shift in unpredictable ways, Thomas finds the answers to these questions by reenvisioning what "normal" means and in the powerful alchemy that occurs when you at last place yourself at the center of your own story.
Happy-Go-Lucky by
David Sedaris returns with his first new collection of personal essays since the bestselling Calypso, back when restaurant menus were still printed on paper, and wearing a mask--or not--was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he's stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most. To cope, he walks for miles through a nearly deserted city, smelling only his own breath. He vacuums his apartment twice a day, fails to hoard anything, and contemplates how sex workers and acupuncturists might be getting by during quarantine. As the world gradually settles into a new reality, Sedaris too finds himself changed. His offer to fix a stranger's teeth rebuffed, he straightens his own, and ventures into the world with new confidence.
The Good Immigrant by
From Trump's proposed border wall and travel ban to the marching of white supremacists in Charlottesville, America is consumed by tensions over immigration and the question of which bodies are welcome. The writers who created this collection share powerful personal stories of living between cultures and languages while struggling to figure out who they are and where they belong.
Wow, No Thank You by
Irby is forty, and increasingly uncomfortable in her own skin despite what Inspirational Instagram Infographics have promised her. She has left her job as a receptionist at a veterinary clinic, has published successful books and has been friendzoned by Hollywood, left Chicago, and moved into a house with a garden that requires repairs and know-how with her wife in a Blue town in the middle of a Red state where she now hosts book clubs and makes mason jar salads. This is the bourgeois life of a Hallmark Channel dream. She goes on bad dates with new friends, spends weeks in Los Angeles taking meetings with "tv executives slash amateur astrologers" while being a "cheese fry-eating slightly damp Midwest person," "with neck pain and no cartilage in [her] knees," who still hides past due bills under her pillow.
Please Don't Sit on My Bed in Your Outside Clothes by
Phoebe shares stories that will make you laugh, but also plenty that will hit you in the heart, inspire a little bit of rage, and maybe a lot of action. That means sharing her perspective on performative allyship, white guilt, and what happens when white people take up space in cultural movements; exploring what it's like to be a woman who doesn't want kids living in a society where motherhood is the crowning achievement of a straight, cis woman's life; and how the dire state of mental health in America means that taking care of one's mental health--aka "self-care"--usually requires disposable money.
The Anthropocene Reviewed by
Goodreads Choice winner for Nonfiction 2021 and instant #1 bestseller! A deeply moving collection of personal essays from John Green, the author of The Fault in Our Stars and Turtles All the Way Down. "The perfect book for right now." -People "The Anthropocene Reviewed is essential to the human conversation." -Library Journal, starred review The Anthropocene is the current geologic age, in which humans have profoundly reshaped the planet and its biodiversity. In this remarkable symphony of essays adapted and expanded from his groundbreaking podcast, bestselling author John Green reviews different facets of the human-centered planet on a five-star scale--from the QWERTY keyboard and sunsets to Canada geese and Penguins of Madagascar. Funny, complex, and rich with detail, the reviews chart the contradictions of contemporary humanity. As a species, we are both far too powerful and not nearly powerful enough, a paradox that came into sharp focus as we faced a global pandemic that both separated us and bound us together. John Green's gift for storytelling shines throughout this masterful collection. The Anthropocene Reviewed is an open-hearted exploration of the paths we forge and an unironic celebration of falling in love with the world.
Wild Tongues Can't Be Tamed by
In Wild Tongues Can't Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth.
Rainbow Rainbow by
A fearless collection of stories that celebrate the humor, darkness, and depth of emotion of the queer and trans experience that's not typically represented: liminal or uncertain identities, queer conception, and queer joy In this exuberant, prize-winning collection, queer, trans, and gender-nonconforming characters seek love and connection in hilarious and heartrending stories that reflect the complexity of our current moment.
Scattered Showers by
Rainbow Rowell has won fans all over the world by writing about love and life in a way that feels true. In her first collection, she gives us nine beautifully crafted love stories. Girl meets boy camping outside a movie theater. Best friends debate the merits of high school dances. A prince romances a troll. A girl romances an imaginary boy. And Simon Snow himself returns for a holiday adventure.
Out There: Into the Queer New Yonder by
Explore new and familiar worlds where the human consciousness can be uploaded into a body on Mars...an alien helps a girl decide if she should tell her best friend how she feels...two teens get stuck in a time loop at a space station...people are forced to travel to the past or the future to escape the dying planet...only a nonbinary person can translate the binary code of a machine that predicts the future...everyone in the world vanishes except for two teen girls who are in love.
Love Beyond Body, Space, and Time: an Indigenous LGBT Sci-Fi Anthology by 
Grocery Shopping with My Mother by
When Kevin Powell's elderly mother became ill, he returned home every week to take her grocery shopping in Jersey City. Walking behind her during those trips, Powell began to hear her voice, stories, and language in a new way-examining his own healing while praying for hers. Grocery Shopping with My Mother originated as social media posts about these visits and evolved into a breathtaking collection of thirty-two new poems.
Milk and Honey by
Divided into four chapters, each serves a different purpose, deals with a different pain; heals a different heartache. milk and honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.
The Hill We Climb by
On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe with her call for unity and healing.
Whereas by
WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don't worry, you and your daughter will learn together.
Poet Warrior by
Joy Harjo, the first Native American to serve as U.S. poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her "poet-warrior" road. A musical, kaleidoscopic, and wise follow-up to Crazy Brave, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice. Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, and the messengers of a changing earth--owls heralding grief, resilient desert plants, and a smooth green snake curled up in surprise. She celebrates the influences that shaped her poetry, among them Audre Lorde, N. Scott Momaday, Walt Whitman, Muscogee stomp dance call-and-response, Navajo horse songs, rain, and sunrise. In absorbing, incantatory prose, Harjo grieves at the loss of her mother, reckons with the theft of her ancestral homeland, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member. Moving fluidly between prose, song, and poetry, Harjo recounts a luminous journey of becoming, a spiritual map that will help us all find home. Poet Warrior sings with the jazz, blues, tenderness, and bravery that we know as distinctly Joy Harjo.
Conflict Resolution for Holy Beings by
A musical, magical, resilient volume from the first Native American Poet Laureate of the United States. In these poems, the joys and struggles of the everyday are played against the grinding politics of being human. Beginning in a hotel room in the dark of a distant city, we travel through history and follow the memory of the Trail of Tears from the bend in the Tallapoosa River to a place near the Arkansas River. Stomp dance songs, blues, and jazz ballads echo throughout. Lost ancestors are recalled. Resilient songs are born, even as they grieve the loss of their country. Called a "magician and a master" (San Francisco Chronicle), Joy Harjo is at the top of her form in Conflict Resolution for Holy Beings. Finalist for the Griffin Poetry Prize
The Anthropocene Reviewed by
"Masterful. The Anthropocene Reviewed is a beautiful, timely book about the human condition--and a timeless reminder to pay attention to your attention." --Adam Grant, #1 bestselling author of Think Again and host of the podcast Re:Thinking Instant #1 bestseller! A deeply moving collection of personal essays from John Green, the author of The Fault in Our Stars and Turtles All the Way Down. "Gloriously personal and life-affirming. The perfect book for right now." --People "Essential to the human conversation." --Library Journal, starred review The Anthropocene is the current geologic age, in which humans have profoundly reshaped the planet and its biodiversity. In this remarkable symphony of essays, bestselling author John Green reviews different facets of the human-centered planet on a five-star scale--from the QWERTY keyboard and sunsets to Canada geese and Penguins of Madagascar. Funny, complex, and rich with detail, the reviews chart the contradictions of contemporary humanity. John Green's gift for storytelling shines throughout this masterful collection. The Anthropocene Reviewed is an open-hearted exploration of the paths we forge and an unironic celebration of falling in love with the world.
Fast Fierce Women: 75 Essays of Flash Nonfiction by
Praise for Fast Funny Women , last year's breakout in the Fast Women Series, edited by Gina Barreca "If you're a woman and you like humor in your life--plus intelligence--get this book." --Nancy Thayer, author of Family Reunion "Every man should read this book." --Jay Heinrichs, author of Thank You for Arguing The 2nd book in the FAST WOMEN SERIES, with fierce new works from writers you know by heart--NYT bestselling novelist Caroline Leavitt, NPR's own Maureen Corrigan, award-winning poet Phillis Levin, stand-up comic Leighann Lord, Founder and Director of the Erma Bombeck Writers' Workshop Teri Rizvi, playwright Beth Blatt, screenwriter Pamela Katz, activist and author Leslie Morgan Steiner, Rabbi Marisa Elana James, Pastor Jamie Spriggs, activist and teacher Ebony Murphy-Root--alongside other familiar and emerging authors whose original pieces were commissioned.
Fast Funny Women: 75 Essays of Flash Nonfiction by
Winner, 2021 Foreword INDIES award "Every man should read this book." --Jay Heinrichs, author of Thank You for Arguing 75 women writers, ages 20 to 89, were invited by editor Gina Barreca to make a party out of their life's most unnerving, challenging, illuminating, desperate, and hilarious moments. You know many of these brilliant women, but you've never heard them like this! With new works commissioned for the book from: Marge Piercy, NYT Bestseller and member of the American Academy of Poets Jane Smiley, Pulitzer-Prize winner Mimi Pond, NYT bestseller graphic artist Liza Donnelly, New Yorker staff cartoonist Fay Weldon, Commander of the British Empire Ilene Beckerman, bestselling author of Love, Loss, and What I Wore Nicole Hollander, Sylvia creator Lisa Landry and Leighann Lord, stand-up comics And many more! Political campaigners, devoted teachers, lousy daughters, good mothers, would-be nuns, admired sportswriters, grad-school-wanna-bes, revenge-driven sisters, frustrated roommates, body-fluid-sorting professionals, lace-loving fashion mavens, intrepid daters, hungry lovers, justice-seeking nasty-women, ACE wedding celebrants, trapped wives, and women with all kinds of ammunition tell their stories--and their stories are all under 750 words.
Novelist As a Vocation by
NEW YORK TIMES BEST SELLER * An insightful look into the mind of a master storyteller--and a unique look at the craft of writing from the beloved and best-selling author of 1Q84, Norwegian Wood, and What I Talk About When I Talk About Running. "Murakami is like a magician who explains what he's doing as he performs the trick and still makes you believe he has supernatural powers" --New York Times Book Review A MOST ANTICIPATED BOOK: Esquire, Vulture, LitHub, New York Observer Aspiring writers and readers who have long wondered where the mysterious novelist gets his ideas and what inspires his strangely surreal worlds will be fascinated by this engaging book from the internationally best-selling author. Haruki Murakami now shares with readers his thoughts on the role of the novel in our society; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists, and musicians. Here are the personal details of a life devoted to craft: the initial moment at a Yakult Swallows baseball game, when he suddenly knew he could write a novel; the importance of memory, what he calls a writer's "mental chest of drawers"; the necessity of loneliness, patience, and his daily running routine; the seminal role a carrier pigeon played in his career and more. "What I want to say is that in a certain sense, while the novelist is creating a novel, he is simultaneously being created by the novel as well." --Haruki Murakami
The Feejee Mermaid and Other Essays in Natural and Unnatural History by
In his new collection of essays, Jan Bondeson tells ten fascinating stories of myths and hoaxes, beliefs and Ripley-like facts, concerning the animal kingdom. Throughout he recounts?and in some instances solves?mysteries of the natural world which have puzzled scientists for centuries. Heavily illustrated with photographs and drawings, the book presents astounding tales from across the rich folklore of animals: a learned pig more admired than Sir Isaac Newton by the English public, an elephant that Lord Byron wanted to employ as his butler, a dancing horse whose skills in mathematics were praised by William Shakespeare, and, of course, the extraordinary creature known as the Feejee Mermaid. This object became the foremost curiosity of London in the 1820s and later in the century toured the United States under the management of P. T. Barnum. Bearing a striking resemblance to a wizened and misshapen monkey with a fishtail, the mermaid was nonetheless proclaimed a genuine specimen by 'experts.' Bondeson explores other zoological wonders: toads living for centuries encased in solid stone, little fishes raining down from the sky, and barnacle geese growing from trees until ready to fly. In two of his most fascinating chapters, he uncovers the origins of the basilisk, considered one of the most inexplicable mythical monsters, and of the Vegetable Lamb of Tartary. With the head and body of a rooster and the tail of a snake, the basilisk was said to be able to kill a person with its gaze. Bondeson demonstrates that belief in this fabulous creature resulted from misinterpretations of rare events in natural history. The vegetable lamb, a mainstay of museums in the seventeenth century, was allegedly half plant, half animal: it had the shape of a little lamb, but grew from a stem. After examining two vegetable lambs still in London today, Bondeson offers a new theory to explain this old fallacy.
The Mother of All Questions by
In a timely follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers indispensable commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, Solnit mixes humor, keen analysis, and powerful insight in these essays.
Elemental: a Collection of Michigan Creative Nonfiction by 
Quietly Hostile: Essays by
NEW YORK TIMES BESTSELLER * A GLAMOUR BEST BOOK OF THE YEAR * A hilarious new essay collection from Samantha Irby "engages readers with her characteristic combination of laugh-out-loud moments, heartfelt passages and plenty of awkward experiences.... Quietly Hostile will delight established fans and newcomers alike (Parade). "Brilliant and one of the funniest people I've ever read." --Roxane Gay * "The king of sparkling misanthropy and tender, loving dread." --Jia Tolentino "Absolutely hilarious.... If you are feeling down, or you feel like you haven't read anything you've loved in a long time, all you need is Samantha Irby.... She will make you laugh on every page." --Emma Straub, bestselling author of This Time Tomorrow, on The Today Show Samantha Irby's career has taken her to new heights. She dodges calls from Hollywood and flop sweats on the red carpet at premieres (well, one premiere). But nothing is ever as it seems online, where she can crop out all the ugly parts. Irby got a lot of weird emails about Carrie Bradshaw, and not only is there diarrhea to avoid, but now--anaphylactic shock. She is turned away from restaurants for being inappropriately dressed and looks for the best ways to cope, i.e., reveling in the offerings of QVC and adopting a deranged pandemic dog. Quietly Hostile makes light as Irby takes us on another outrageously funny tour of all the gory details that make up the true portrait of a life behind the screenshotted depression memes. Relatable, poignant, and uproarious, once again, Irby is the tonic we all need to get by. A BEST BOOK from Vogue, Esquire, PopSugar, Glamour, The Skimm, and more
This Is One Way to Dance by
In the linked essays that make up her debut collection, This Is One Way to Dance, Sejal Shah explores culture, language, family, and place. Throughout the collection, Shah reflects on what it means to make oneself visible and legible through writing in a country that struggles with race and maps her identity as an American, South Asian American, writer of color, and feminist. This Is One Way to Dance draws on Shah's ongoing interests in ethnicity and place: the geographic and cultural distances between people, both real and imagined. Her memoir in essays emerges as Shah wrestles with her experiences growing up and living in western New York, an area of stark racial and economic segregation, as the daughter of Gujarati immigrants from India and Kenya. These essays also trace her movement over twenty years from student to teacher and meditate on her travels and life in New England, New York City, and the Midwest, as she considers what it means to be of a place or from a place, to be foreign or familiar. Shah invites us to consider writing as a somatic practice, a composition of digressions, repetitions--movement as transformation, incantation. Her essays--some narrative, others lyrical and poetic--explore how we are all marked by culture, gender, and race; by the limits of our bodies, by our losses and regrets, by who and what we love, by our ambivalences, and by trauma and silence. Language fractures in its attempt to be spoken. Shah asks and attempts to answer the question: How do you move in such a way that loss does not limit you? This Is One Way to Dance introduces a vital new voice to the conversation about race and belonging in America.
Lost Wax by
For her collection Lost Wax, Jericho Parms borrows her title from a casting method used by sculptors. As such, these eighteen essays, centered on art and memory, offer an investigation into form and content and the language of innocence, experience, and loss. Four sections (each borrowing names from the sculptures of Degas, Bernini, and Rodin) frame a series of meditations that consider the boundaries of the discernible world and the extremes of the body and the self. Here Parms draws heavily on memories of a Bronx upbringing in the 1980s and1990s; explorations in Spain, Portugal, Ireland, and the American West; the struggle to comprehend race, love, family, madness, and nostalgia; and the unending influence of art, poetry, and music. Written largely within the galleries of the Metropolitan Museum of Art, Lost Wax is an inquiry into the ways we curate memory and human experience despite the limits of observation and language. In these essays, Parms exhibits and examines her greatest obsessions: how to describe the surface of marble or bronze; how to embrace the necessary complexities of identity, stillness and movement, life and death-how to be young and alive.
All I Feel Is Rivers: Dervish Essays by
All I Feel is Rivers is a collection of a new hybrid writing that, though spiritually akin to prose poems, retains an essayistic form. After several life-changing trips to Turkey, Robert Vivian took up a deep study of Rumi, the thirteenth-century Sufi mystic, poet, and founder of the religious order that performs the now-famous dervish dance. Vivian's fascination seeped into his writing, and his newly conceived dervish essays reflect the dynamic movement and ancient symbolism of the ritual dance with wild lyricism, sometimes breathless cadences, and mesmerizing unspooling. Utterly fearless in their passionate avowals of life's many manifestations, these essays showcase the surprising connectivity between the sacred and profane, uncovered by associative drifting. Vivian's essays take on grief and loss, the natural world and climate, spirituality and ecstasy, all while pushing the boundaries of what prose can do.
Pain Woman Takes Your Keys, and Other Essays from a Nervous System by
Rate your pain on a scale of one to ten. What about on a scale of spicy to citrus? Is it more like a lava lamp or a mosaic? Pain, though a universal element of human experience, is dimly understood and sometimes barely managed. Pain Woman Takes Your Keys, and Other Essays from a Nervous System is a collection of literary and experimental essays about living with chronic pain. Sonya Huber moves away from a linear narrative to step through the doorway into pain itself, into that strange, unbounded reality. Although the essays are personal in nature, this collection is not a record of the author's specific condition but an exploration that transcends pain's airless and constraining world and focuses on its edges from wild and widely ranging angles. Huber addresses the nature and experience of invisible disability, including the challenges of gender bias in our health care system, the search for effective treatment options, and the difficulty of articulating chronic pain. She makes pain a lens of inquiry and lyricism, finds its humor and complexity, describes its irascible character, and explores its temperature, taste, and even its beauty.
The World Before Mirrors by
"What do you do for a living?" the podiatrist (or the photographer or the woman in the train station) asks, and Joan Connor answers, "I'm a writer," waiting with a cringe for the inevitable rejoinder: "Oh, boy, do I have a story for you!" How such offerings, not stories but small reports from the thick of life, become rich reflections on the nature of waiting and writing, language and love, memory and hope, is the mystery of this award-winning collection of essays. Traveling between the poles of Ohio and Vermont, childhood and motherhood, Connor writes of a peripatetic family whose oddities make the quirks of a Thurber household seem downright subdued; of a thirteen-year-old son as an unlikely companion through the torments of middle-aged dating; of old loves and new; and through it all, of writing as a means of finding the shortest distance between two lines: hope. With language that distills insight from anecdote and transforms the stuff of middling life into telling metaphor, The World Before Mirrors, winner of the River Teeth Literary Nonfiction Prize, lifts the telling of a life's stories into the realm of flight.
Men Explain Things to Me by
In her comic, scathing essay "Men Explain Things to Me," Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don't, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note-- because the ultimate problem is the silencing of women who have something to say, including those saying things like, "He's trying to kill me!" This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf 's embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.
Black Joy: Stories of Resistance, Resilience, and Restoration by 
Girls Can Kiss Now: Essays by
"Wickedly funny and heartstoppingly vulnerable...every page twinkles with brilliance." --Refinery29 Perfect for fans of Samantha Irby and Trick Mirror, a hilarious, whip-smart collection of personal essays exploring the intersection of queerness, pop culture, the internet, and identity, introducing one of the most undeniably original new voices today. Jill Gutowitz's life--for better and worse--has always been on a collision course with pop culture. There's the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life. And of course, the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill's own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture. Dusting off her own personal traumas and artifacts of her not-so-distant youth she examines how pop culture acts as a fun house mirror reflecting and refracting our values--always teaching, distracting, disappointing, and revealing us. Girls Can Kiss Now is a fresh and intoxicating blend of personal stories, sharp observations, and laugh-out-loud humor. This timely collection of essays helps us make sense of our collective pop-culture past even as it points the way toward a joyous, uproarious, near--and very queer--future.
Congratulations, the Best Is Over! by
NATIONAL BESTSELLER * The beloved author of Here for It returns with a collection of "funny and compulsively readable" (Vogue), "hilarious and incisive" (Time) essays about what happens after happily ever after. "How is it possible that I liked this book even more than his last one? Phenomenal."--Jenny Lawson, New York Times bestselling author of Broken (in the best possible way) A BEST BOOK OF THE YEAR: NPR, Garden & Gun, Real Simple After going viral "reading" the chaotic political news, having one-too-many awkward social encounters, and coming to terms with his intersecting identities, R. Eric Thomas finally knew who he was and where he was going. He was living his best life. But then everything changed. In this collection of insightful and hilarious essays, Thomas moves back to his perpetually misunderstood hometown of Baltimore (a place he never wanted to return, even to be buried) and behaves completely out of character. They say you can't go home again, but what if you and home have changed beyond recognition? From attending his twenty-year high school reunion and discovering another person's face on his name badge, to splattering an urgent care room with blood à la The Shining, to being terrorized by a plague of gay frogs who've overtaken his backyard, Thomas provides the nitty, and sometimes the gritty, details of wrestling with the life he thought he'd left behind while trying to establish a new one. With wit, heart, and hope for the future, Congratulations, The Best Is Over! is the not-so-gentle reminder we all need that even when life doesn't go according to plan, we can still find our way back home.
Serious Face: Essays by
From the discovery of the author's face in a century-old photograph to a triple-amputee hospice director working at the border of life and death, here are thirteen hopeful, heartbreaking, and profound essays from "one of the most intelligent, compassionate, and curious authors working today" (Elizabeth Gilbert). ONE OF THE BEST BOOKS OF THE YEAR: Kirkus Reviews Beneath the self-assured and serious faces we wear, every human life is full of longing, guesswork, and confusion--a scramble to do the best we can and make everything up as we go along. In these wide-ranging essays, Jon Mooallem chronicles the beauty of our blundering and the inescapability of our imperfections. He investigates the collapse of a multimillion-dollar bird-breeding scam run by an aging farmer known as the Pigeon King, intimately narrates a harrowing escape from California's deadliest wildfire, visits an eccentric Frenchman building a town at what he claims is the center of the world, shadows a man through his first day of freedom after twenty-one years in prison, and more--all with a deep conviction that it's our vulnerability, not our victories, that connect us. Mooallem's powers of perception have established him as one of the most distinctive, empathic, and clear-sighted narrative journalists working today. The Wall Street Journal has called his writing "as much art as it is journalism," and Jia Tolentino has praised his "grace and command." In Serious Face, Mooallem brings to life the desperate hopes and urgent fears of the people he meets, telling their stories with empathy, humor, insight, and kindness. These elegant, moving essays form an idiosyncratic tapestry of human experience: our audacity and fallibility, our bumbling and goodwill. In moments of calamity and within the extreme absurdity of everyday life, can we learn to love the people we really are, behind the serious faces we show the world?
Leaving Isn't the Hardest Thing by
A NEW YORK TIMES BESTSELLER * "A memoir in essays about so many things--growing up in an abusive cult, coming of age as a lesbian in the military, forced out by homophobia, living on the margins as a working class woman and what it's like to grow into the person you are meant to be. Hough's writing will break your heart." --Roxane Gay, author of Bad Feminist Searing and extremely personal essays, shot through with the darkest elements America can manifest, while discovering light and humor in unexpected corners. As an adult, Lauren Hough has had many identities: an airman in the U.S. Air Force, a cable guy, a bouncer at a gay club. As a child, however, she had none. Growing up as a member of the infamous cult The Children of God, Hough had her own self robbed from her. The cult took her all over the globe--to Germany, Japan, Texas, Chile--but it wasn't until she finally left for good that Lauren understood she could have a life beyond "The Family." Along the way, she's loaded up her car and started over, trading one life for the next. She's taken pilgrimages to the sights of her youth, been kept in solitary confinement, dated a lot of women, dabbled in drugs, and eventually found herself as what she always wanted to be: a writer. Here, as she sweeps through the underbelly of America--relying on friends, family, and strangers alike--she begins to excavate a new identity even as her past continues to trail her and color her world, relationships, and perceptions of self. At once razor-sharp, profoundly brave, and often very, very funny, the essays in Leaving Isn't the Hardest Thing interrogate our notions of ecstasy, queerness, and what it means to live freely. Each piece is a reckoning: of survival, identity, and how to reclaim one's past when carving out a future. A VINTAGE ORIGINAL
Low Road Forever & Other Essays by
A book of snarky, feminist essays covering #MeToo, pop culture, and LGBTQ+ topics, from longtime arts-and-culture columnist, for fans of Lindy West, Anne T. Donahue, and Samantha Irby. A self-proclaimed "gay feminist harpy since before it was cool," Tara Thorne is situated somewhere between the sharp-eyed urban commentary of Nora Ephron and ribald cultural analysis of Lindy West. In her debut book of essays, the Halifax-based filmmaker, arts critic, and recovering journalist gives readers her unvarnished take on the films and music that made her a feminist, how the #MeToo reckoning led her to write a misandrist vigilante film, what it's like being the only woman in a band, and the snarky tweet that made her lose her position as CBC Radio's arts and culture columnist. Alongside are musings on coming out later in life, remaining resolutely child-free, and why she's decided to step back from being professional to the point of erasure: after two decades, it's time to take the low road. With the cranky forthrightness of Fran Lebowitz in ,Pretend It's a City, Thorne's voice is both self-assured and deeply self-effacing as she exposes the light haze of misogyny that hangs over us all to find what's funny, what's true, and what needs to be said.
The In-Between by
NEW YORK TIMES BESTSELLER * Passionate advocate for end-of-life care and TikTok star Hadley Vlahos shares moving stories of joy, wisdom, and redemption from her patients' final moments in this "brilliant" (Zibby Owens, Good Morning America) memoir. "This extraordinary book helps dispel fear around death and dying--revealing it to be a natural part of our soul's evolution."--Laura Lynne Jackson, New York Times bestselling author of Signs and The Light Between Us Talking about death and dying is considered taboo in polite company, and even in the medical field. Our ideas about dying are confusing at best: Will our memories flash before our eyes? Regrets consume our thoughts? Does a bright light appear at the end of a tunnel? For most people, it will be a slower process, one eased with preparedness, good humor, and a bit of faith. At the forefront of changing attitudes around palliative care is hospice nurse Hadley Vlahos, who shows that end-of-life care can teach us just as much about how to live as it does about how we die. Vlahos was raised in a strict religious household, but began questioning her beliefs in high school after the sudden death of a friend. When she got pregnant at nineteen, she was shunned by her community and enrolled herself in nursing school to be able to support herself and her baby. But nursing soon became more than a job: when she focused on palliative care and hospice work, it became a calling. In The In-Between, Vlahos recounts the most impactful experiences she's had with the people she's worked with--from the woman who never once questioned her faith until she was close to death, to the older man seeing visions of his late daughter, to the young patient who laments that she spent too much of her short life worrying about what others thought of her--while also sharing her own fascinating journey. Written with profound insight, humility, and respect, The In-Between is a heartrending memoir that shows how caring for others can transform a life while also offering wisdom and comfort for those dealing with loss and providing inspiration for how to live now.
Sansei and Sensibility: Stories by 
We, the Children of Cats: Stories and Novellas by 
My Haunted Home: Stories by 
Just Like Being There: A Collection of Science Fiction Short Stories by 
The Fox's Tower and Other Tales: A Collection of Magical Short Stories by 
Drinking from Graveyard Wells: Stories by 
Brides in the Sky: Stories and a Novella by 
Old Babes in the Wood: Stories by
NATIONAL BESTSELLER * From the bestselling, award-winning author of The Handmaid's Tale and The Testaments, a dazzling collection of short stories that look deeply into the heart of family relationships, marriage, loss and memory, and what it means to spend a life together "If you consider yourself an Atwood fan and have only read her novels: Get your act together. You've been missing out." --The New York Times Book Review, Rebecca Makkai, best-selling author of The Great Believers Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories--some of which have appeared in The New Yorker and The New York Times Magazine--explore the full warp and weft of experience, speaking to our unique times with Atwood's characteristic insight, wit and intellect. The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; "Impatient Griselda" explores alienation and miscommunication with a fresh twist on a folkloric classic; and "My Evil Mother" touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the collection are seven extraordinary stories that follow a married couple across the decades, the moments big and small that make up a long life of uncommon love--and what comes after. Returning to short fiction for the first time since her 2014 collection Stone Mattress, Atwood showcases both her creativity and her humanity in these remarkable tales which by turns delight, illuminate, and quietly devastate.
Liberation Day: Stories by
NEW YORK TIMES BESTSELLER * "One of our most inventive purveyors of the form returns with pitch-perfect, genre-bending stories that stare into the abyss of our national character. . . . An exquisite work from a writer whose reach is galactic."--Oprah Daily Booker Prize winner George Saunders returns with his first collection of short stories since the New York Times bestseller Tenth of December. ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, NPR, Time, USA Today, The Guardian, Esquire, Newsweek, Kirkus Reviews, Booklist, Library Journal The "best short-story writer in English" (Time) is back with a masterful collection that explores ideas of power, ethics, and justice and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose--wickedly funny, unsentimental, and exquisitely tuned--Saunders continues to challenge and surprise: Here is a collection of prismatic, resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality. "Love Letter" is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the (not too distant, all too believable) future, that reminds us of our obligations to our ideals, ourselves, and one another. "Ghoul" is set in a Hell-themed section of an underground amusement park in Colorado and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his reality. In "Mother's Day," two women who loved the same man come to an existential reckoning in the middle of a hailstorm. In "Elliott Spencer," our eighty-nine-year-old protagonist finds himself brainwashed, his memory "scraped"--a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters. And "My House"--in a mere seven pages--comes to terms with the haunting nature of unfulfilled dreams and the inevitability of decay. Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention Saunders does, even in the most absurd of circumstances.
Elsewhere: Stories by
Longlisted for THE STORY PRIZE | A New Yorker BEST BOOK of 2023 | MOST ANTICIPATED by Nylon * Rolling Stone * The Millions From multi-award-winning author Yan Ge, a shimmering, genre-bending English-language debut that announces the next phase in a major literary career. "As haunting, dreamlike, and addictive as a melatonin-induced slumber." --Nylon "Deft... Elsewhere [explores] the power of language across the Chinese diaspora to either bring people together or push them apart."--The New York Times In twenty years, Yan Ge has authored thirteen books written in Chinese, working across an impressive range of genres and subjects. Now, Yan Ge transposes her dynamic storytelling onto another linguistic landscape. The result is a collection humming with her trademark wit and style--and with the electricity of a seasoned artist flexing her virtuosity with a new medium. A young woman bonds with an encampment of poets after a devastating earthquake. Against her better judgment, a college student begins to fall for an acquaintance who might be dead. And a Confucian disciple returns to the Master bearing a jar full of grisly remains. Weaving between reality and dreamy surreality, these nine stories wend toward elsewhere, a comforting, frustrating, just-out-of-reach place familiar to anyone who has ever experienced longing. Through it all Yan Ge's protagonists peer thoughtfully at their own feelings of displacement--physical or emotional, the result of travel, emigration, or exile. Brilliant and irresistibly readable, Elsewhere explores the utility (or not) of art in the face of lonesomeness, quotidian, and spectacular. This highly anticipated collection is further proof that Yan Ge is a generational literary talent, to be watched closely for decades to come.
I Am My Country and Other Stories by
"A powerful and provocative debut collection" (The New York Times Book Review) by "a startling talent who can seemingly do anything" (Anthony Marra) that explores the lives of ordinary people in Turkey to reveal how even individual acts of resistance have extraordinary repercussions. "I Am My Country employs many different literary styles and voices to dazzling effect."--The Atlantic LONGLISTED FOR THE PEN/ROBERT W. BINGHAM PRIZE * LONGLISTED FOR THE STORY PRIZE * AN ELECTRIC LIT AND LIBRARY JOURNAL BEST BOOK OF THE YEAR Spanning decades and landscapes, from the forests along the Black Sea to the streets of Istanbul, Kenan Orhan's ​playful stories ​conjure dreamlike worlds--of talking animals, flying houses, and omniscient prayer-callers--to ​examine humanity's unfaltering pursuit of hope in even the darkest circumstances. A determined florist trains a neighborhood stray dog to blow up a corrupt president. A garbage collector finds banned instruments--and later, musicians--in the trash and takes them home to form a clandestine orchestra in her attic. A smuggler risks his life to bring a young woman claiming to be pregnant via immaculate conception across the border with Syria. A poor cage-maker tries to use his ability to talk to birds to woo his childhood love just before the 1955 Istanbul pogrom. These characters are united by a desperate yearning to break free from the volatile realities they face: rising authoritarianism, cultural and political turmoil, and staggering violence. Ranging from the absurd to the tenderhearted, the stories in I Am My Country illuminate the constant force amid one country's history of rampant oppression and revolutionary progress: the impulse to survive.
Five Tuesdays in Winter: Stories by
Told in the intimate voices of complex, endearing characters, Five Tuesdays in Winter intriguingly subverts expectations as it explores desire, loss, jolting violence, and the inexorable tug toward love at all costs. A reclusive bookseller begins to feel the discomfort of love again. Two college roommates have a devastating middle-aged reunion. A proud old man rages powerlessly in his granddaughter's hospital room. A writer receives a visit from all the men who have tried to suppress her voice.
Romantic, hopeful, brutally raw, and unsparingly honest, this wide-ranging collection of ten selected stories by one of our most accomplished chroniclers of the human heart is an exciting addition to Lily King's oeuvre of acclaimed fiction.
The Office of Historical Corrections by
WINNER OF THE 2021 JOYCE CAROL OATES PRIZE NAMED A BEST BOOK OF 2020 BY O MAGAZINE, THE NEW YORKER, THE WASHINGTON POST, REAL SIMPLE, THE GUARDIAN, AND MORE FINALIST FOR: THE STORY PRIZE, THE L.A. TIMES BOOK PRIZE, THE ASPEN WORDS LITERARY PRIZE, THE CHAUTAUQUA PRIZE "Sublime short stories of race, grief, and belonging . . . an extraordinary new collection . . ." --The New Yorker "Evans's new stories present rich plots reflecting on race relations, grief, and love . . ." --The New York Times Book Review, Editor's Choice "Danielle Evans demonstrates, once again, that she is the finest short story writer working today." --Roxane Gay, The New York Times-bestselling author of Difficult Women and Bad Feminist The award-winning author of Before You Suffocate Your Own Fool Self brings her signature voice and insight to the subjects of race, grief, apology, and American history. Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief--all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history--about who gets to tell them, and the cost of setting the record straight. In "Boys Go to Jupiter," a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In "Richard of York Gave Battle in Vain," a photojournalist is forced to confront her own losses while attending an old friend's unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.
You Have a Friend In 10A by
From the Booker Prize nominee and New York Times best-selling author of Great Circle, a piercing, irresistible first collection of short stories exquisite in their craft and audacious in their range A love triangle plays out over decades on a Montana dude ranch. A hurdler and a gymnast spend a single night together in the Olympic village. Mistakes and mysteries weave an intangible web around an old man's deathbed in Paris, connecting disparate destinies. On the slopes of an unfinished ski resort, a young woman searches for her vanished lover. A couple's Romanian honeymoon goes ominously awry, and, in the mesmerizing title story, a former child actress breaks with her life in a Hollywood cult. In these and other stories, knockout after knockout, Maggie Shipstead delivers another "extraordinary" (New York Times) work of fiction and seals her reputation as a writer of "breathtaking range and skill" (Kirkus Reviews). Rich in imagination and dazzling in its shapeshifting style, You Have a Friend in 10A excavates the complexities of love, sex, and life in ways unsparing and hilarious, sharp-eyed and tender.
The Rock Eaters: Stories by
An NPR Best Book of 2021 NYPL 10 Best Books for Adults, 2021 A story collection, in the vein of Carmen Maria Machado, Kelly Link, and Nana Kwame Adjei-Brenyah, spanning worlds and dimensions, using strange and speculative elements to tackle issues ranging from class differences to immigration to first-generation experiences to xenophobia What does it mean to be other? What does it mean to love in a world determined to keep us apart? These questions murmur in the heart of each of Brenda Peynado's strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically. In one story, suburban families perform oblations to cattlelike angels who live on their roofs, believing that their "thoughts and prayers" will protect them from the world's violence. In another, inhabitants of an unnamed dictatorship slowly lose their own agency as pieces of their bodies go missing and, with them, the essential rights that those appendages serve. "The Great Escape" tells of an old woman who hides away in her apartment, reliving the past among beautiful objects she's hoarded, refusing all visitors, until she disappears completely. In the title story, children begin to levitate, flying away from their parents and their home country, leading them to eat rocks in order to stay grounded. With elements of science fiction and fantasy, fabulism and magical realism, Brenda Peynado uses her stories to reflect our flawed world, and the incredible, terrifying, and marvelous nature of humanity.
The Haunting of Hajji Hotak and Other Stories by
FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION WINNER OF THE 2023 ASPEN WORDS LITERARY PRIZE, AND THE 2023 O. HENRY PRIZE NAMED ONE OF THE NEW YORKER'S BEST BOOKS OF 2022 "An endlessly inventive and moving collection from a thrilling and capacious young talent." --Jess Walter, author of Beautiful Ruins. A luminous new collection of stories from a young writer who "has brought his culture's rich history, mythology, and lyricism to American letters." --Sandra Cisneros Pen/Hemingway finalist Jamil Jan Kochai ​breathes life into his contemporary Afghan characters, moving between modern-day Afghanistan and the Afghan diaspora in America. In these arresting stories verging on both comedy and tragedy, often starring young characters whose bravado is matched by their tenderness, Kochai once again captures "a singular, resonant voice, an American teenager raised by Old World Afghan storytellers."* In "Playing Metal Gear Solid V: The Phantom Pain," a young man's video game experience turns into a surreal exploration on his own father's memories of war and occupation. Set in Kabul, "Return to Sender" follows two married doctors driven by guilt to leave the US and care for their fellow Afghans, even when their own son disappears. A college student in the US in "Hungry Ricky Daddy" starves himself in protest of Israeli violence against Palestine. And in the title story, "The Haunting of Hajji Hotak," we learn the story of a man codenamed Hajji, from the perspective of a government surveillance worker, who becomes entrenched in the immigrant family's life. The Haunting of Hajji Hotak and Other Stories is a moving exploration of characters grappling with the ghosts of war and displacement--and one that speaks to the immediate political landscape we reckon with today. *The New York Times Book Review
Queer Little Nightmares: an Anthology of Monstrous Fiction and Poetry by 
Out There: Stories by
A thrilling new voice in fiction injects the absurd into the everyday to present a startling vision of modern life, "[as] if Kafka and Camus and Bradbury were penning episodes of Black Mirror" (Chang-Rae Lee, author of My Year Abroad). "Stories so sharp and ingenious you may cut yourself on them while reading."--Kelly Link, author of Get In Trouble FINALIST FOR THE CALIFORNIA BOOK AWARD * ONE OF THE BEST BOOKS OF THE YEAR: Chicago Review of Books, Kirkus Reviews With a focus on the weird and eerie forces that lurk beneath the surface of ordinary experience, Kate Folk's debut collection is perfectly pitched to the madness of our current moment. A medical ward for a mysterious bone-melting disorder is the setting of a perilous love triangle. A curtain of void obliterates the globe at a steady pace, forcing Earth's remaining inhabitants to decide with whom they want to spend eternity. A man fleeing personal scandal enters a codependent relationship with a house that requires a particularly demanding level of care. And in the title story, originally published in The New Yorker, a woman in San Francisco uses dating apps to find a partner despite the threat posed by "blots," preternaturally handsome artificial men dispatched by Russian hackers to steal data. Meanwhile, in a poignant companion piece, a woman and a blot forge a genuine, albeit doomed, connection. Prescient and wildly imaginative, Out There depicts an uncanny landscape that holds a mirror to our subconscious fears and desires. Each story beats with its own fierce heart, and together they herald an exciting new arrival in the tradition of speculative literary fiction.
The New Adventures of Helen by
"One of Russia's best living writers . . . Her tales inhabit a borderline between this world and the next." --The New York Times At first glance, the stories in The New Adventures of Helen seems simple, even child-like, but a deep reading reveals satire and darkness manifested through classic fairy tale tropes characteristically upended by Petrushevskaya. These "adult fairy tales" ask deep questions about gender, love, history, memory, and the future, taking place in times between history and the now. These stories, quirky but yet inspired by a confident hopefulness, will inspire and provoke English-speaking readers across the globe.
Her Wild American Self: Stories by 
Bugsy and Other Stories by
From the author of Confidence and The Comedown comes a wildly imaginative story collection about queerness, neurodivergence, sexuality, and self-discovery. Frumkin's latest book is a deliciously entertaining collection of five genre-defying stories that range from downright hilarious to brilliantly unhinged. Taken together, they celebrate a wide variety of human experiences. In the title story, a queer young adult with bipolar disorder drops out of college in a fog of depression, aimlessly drifting between maintaining their job at a fast food restaurant and dodging their mom's texts. But when they fall in with a group of sex workers starring in BDSM films, they find radical freedom, love, and community. In other stories, we meet a psychiatrist whose meticulously-maintained life is upended by an Alex Trebek-like voice in his head, an e-girl celebrity who is being courted by a delusional fan, a young boy on the spectrum at odds with a neurotypical world determined to "cure" him, and an elderly woman whose consciousness is being transformed by her oncoming death. With incredible insight, compassion, and honesty, Frumkin unravels each story with tantalizing precision. Sexy and raw--and compulsively readable--this collection offers a look at our innermost selves as we all try to make sense of the world and our place in it.
The Last Catastrophe by
A hopeful, speculative short story collection about how humanity grapples in a world transformed by climate change. "Climate fiction does not owe readers hope, but through humor and humanity Hyde manages to present a harsh reality without descending into despair, offering a space for mourning and for reimagining life in a permanently changed world. Each of the 15 stories is swiftly paced and engaging, rich with detail, highlighting and celebrating nature as it borders on the unnatural." --The New York Times Book Review A vast caravan of RVs roams the United States. A girl grows a unicorn horn, complicating her small-town friendships and big city ambitions. A young lady on a spaceship bonds with her AI warden while trying to avoid an arranged marriage. In Allegra Hyde's universe nothing is as it seems, yet the challenges encountered in these pages mirror those we face in our modern age. Spanning the length of our very solar system, the fifteen stories in this collection explore a myriad of potential futures through the concept of "global weirding," planetary and social disruptions due to climate change. In unexpected and genre-defying ways, this revelatory collection reminds us that our world is precious, and that protecting it has the potential to bring us all together.
The Old Priest by
The Old Priest is a book of transformations. From the cigar-smoke-and-mirrors world of casino life, to the collection's title character morphing into a goat-man before the narrator's eyes, to a family drama upended by a miniature dinosaur in the backyard, Anthony Wallace writes about life-changing events. The characters seek to escape their earthly boundaries through artifice and fantasy, and those boundaries can be as elegant and fragile as a martini glass or as hardscrabble as an Indian reservation. In these eight vividly detailed short stories we encounter cheating husbands, neurotic housewives, out-of-control teenagers, desperate gamblers, deluded alcoholics, and a host of others who would like a chance at something more. Some face the consequences of their actions, while others simply begin to see what they've been missing all along. Through wry, ironic prose--and what feels like firsthand experience--Wallace describes a comic and often misguided search for self-knowledge in the most unlikely locations--like the Emerald City, a low-rent gambling den where a cocktail waitress dressed as an X-rated Dorothy offers gamblers more than a Scotch on the rocks; or the Bastille Hotel-Casino, where a dealer dressed as an eighteenth century footman deals five-dollar blackjack to a reminiscing Holocaust survivor. Occasionally a real demon appears, but the collection is mostly about personal demons and the possibility of exorcising them. The stories in The Old Priest have to do with time and memory, and they convincingly open out beyond ordinary daily time to reveal something else--the present moment, perhaps, but a larger, more mysterious conception of it.
Call Us What We Carry by
The instant #1 New York Times, Wall Street Journal, and USA Today bestseller The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.
A Spicing of Birds: Poems by Emily Dickinson by 
Low Country, High Water: Poems by 
The RHS Book of Garden Verse by
From the RHS comes this celebration of the garden through poetry, illustrated with botanical prints, engravings and watercolour drawings from the world-famous Lindley Library.
Sorry I Haven't Texted You Back by
Returning to the form of Stuff I've Been Feeling Lately, Sorry I Haven't Texted You Back is a beacon of light for all who struggle or have struggled with their mental health. Structured similar to her first book, 'Side A' is the poetry and 'Side B' (the second half of the book) is 'remixes,' blackout versions of the poetry. The focus on mental health doesn't sacrifice universal appeal; the book includes the evergreen issues of love, loss, and heartbreak. Based on her viral Instagram poem, Sorry I Haven't Texted You Back, this collection lands in the crossroads of self-help and poetry.
Permutations of a Self: Poems by 
Eyes Bottle Dark with a Mouthful of Flowers by
Winner of the 2021 Kate Tufts Discovery Award Winner of a 2020 Whiting Award in Poetry Finalist for the 2020 Lambda Literary Award in Gay Poetry Selected by Kathy Fagan as a winner of the 2018 National Poetry Series, Eyes Bottle Dark with a Mouthful of Flowers is a debut collection of poems by a dazzling geologist of queer eros. Drunktown, New Mexico, is a place where men "only touch when they fuck in a backseat." Its landscape is scarred by violence: done to it, done on it, done for it. Under the cover of deepest night, sleeping men are run over by trucks. Navajo bodies are deserted in fields. Resources are extracted. Lines are crossed. Men communicate through beatings, and football, and sex. In this place, "the closest men become is when they are covered in blood / or nothing at all." But if Jake Skeets's collection is an unflinching portrait of the actual west, it is also a fierce reclamation of a living place--full of beauty as well as brutality, whose shadows are equally capable of protecting encounters between boys learning to become, and to love, men. Its landscapes are ravaged, but they are also startlingly lush with cacti, yarrow, larkspur, sagebrush. And even their scars are made newly tender when mapped onto the lover's body: A spine becomes a railroad. "Veins burst oil, elk black." And "becoming a man / means knowing how to become charcoal." Rooted in Navajo history and thought, these poems show what has been brewing in an often forgotten part of the American literary landscape, an important language, beautiful and bone dense. Sculptural, ambitious, and defiantly vulnerable, the poems of Eyes Bottle Dark with a Mouthful of Flowers are coal that remains coal, despite the forces that conspire for diamond, for electricity. Additional recognition: Named a "Best Poetry Book of 2019" by Electric Literature, Entropy Mag, and Auburn Avenue Named a "Favorite Book of 2019" by Lit Hub Named a "Best Queer Book of 2019" by BuzzFeed and Book Marks
I Can't Talk about the Trees Without the Blood by
Winner, 2020 Kate Tufts Discovery Award For prize-winning poet Tiana Clark, trees will never be just trees. They will also and always be a row of gallows from which Black bodies once swung. This is an image that she cannot escape, but one that she has learned to lean into as she delves into personal and public histories, explicating memories and muses around race, elegy, family, and faith by making and breaking forms as well as probing mythology, literary history, her own ancestry, and, yes, even Rihanna. I Can't Talk About the Trees without the Blood, because Tiana cannot engage with the physical and psychic landscape of the South without seeing the braided trauma of the broken past--she will always see blood on the leaves.
Nepantla: an Anthology for Queer Poets of Color by 
¡Manteca! by 
From Aardvarks to Zooxanthellae by
Hundreds of animal species provide the cast of characters for these newly composed bio-limericks, arranged into 17 chapters by taxonomic group (such as Birds, Fishes, Insects) or biological subject (such as Ecology, Genetics, and Anthropology). Sometimes multiple verses on one organism or topic provide an extended story-line across successive poems. In addition, several stylistic vignettes recur throughout the book, such as: (a) "On the Farm", which ranges from barnyards to fish farms to oyster farms; and (b) "Let's Play Jeopardy", where the reader guesses an animal from poetic clues the author provides. Each little jingle can be read as a stand-alone offering a quick chuckle or biological insight. But watch out--these poetic tidbits can be as addictive as popcorn, such that some readers will feel compelled to consume each chapter and indeed the entire book at one sitting! Covering nearly every creature that any amateur or professional biologist has ever heard of, these pun-filled limericks provide humorous insight into each critter or its peculiar habits, in a sharply witty and cutely informative way.
When I Grow up I Want to Be a List of Further Possibilities by 
Bodega: Poems by 
Imaginary Vessels by
"Compelling, appealing, cinematic . . . Rekdal refreshes the meaning and the image of being displaced in this world." --The Boston Globe "Rekdal's work deeply satisfies, for it witnesses and wonders over the necessary struggles of human awareness and being." --Rain Taxi "In acknowledging the disappointing facts of our existence and singing her way into its amazement, she has created poetry that lives alongside the misery we sometimes witness--and sometimes cause." --Slate Paisley Rekdal questions how identity and being inhabit metaphorical and personified "vessels," from blown glass and soap bubbles to skulls unearthed at the Colorado State Mental Institution. Whether writing short lyrics or a sonnet sequence celebrating Mae West, Rekdal's intellectually inquisitive and carefully researched poems delight in sound, meter, and head-on engagement. Illustrated with twelve Andrea Modica photographs. From "You're": Vague as fog and turnip--hipped, a creel of eels that slithers in stains. Dirty slate, you're Diamond Lil. She's you, you say. You're her. She's I. O Mae, fifth grade, we dressed in feathers and our mothers' slit pink slips, dipped into your schema and your accent, aspiring (like you) to be able to order coffee and have it sound like filth . . . Paisley Rekdal is the author of four books of poetry, a book of personal essays, and a mixed media book of photography, poetry, fiction and non-fiction. She lives in Salt Lake City and teaches at the University of Utah.
Cannibal by
Colliding with and confronting The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal explore Jamaican childhood and history, race relations in America, womanhood, otherness, and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven. Here the female body is a dark landscape; the female body is cannibal. Sinclair shocks and delights her readers with her willingness to disorient and provoke, creating a multitextured collage of beautiful and explosive poems.
Solarium by
"Solarium is a completely original gem of a book."--Henri Cole, from the foreword Bowl of the lake. Bowl of the sky. Bowl of the lake with the sky in it. You looked at you in the water. The blizzard is cold. And the boy in the blizzard is blue. Jordan Zandi grew up in the rural Midwest, and in 2011 graduated with an MFA in poetry from Boston University, where he was the recipient of a Robert Pinsky Global Fellowship to Bolivia. His poetry has appeared in the New Republic and Little Star.
Driving Without a License by
"Janine Joseph writes with an open and easy intimacy. The language here is at once disruptive and familiar, political and sensual, and tinged by the melancholy of loss and the discomforting radiance of redemption. A strong debut." —Chris Abani The best way to hide is in plain sight. In this politically-charged and candid debut, we follow the chronicles of an illegal immigrant speaker over a twenty-year span as she grows up in the foreign and forbidding landscape of America. From "Ivan, Always Hiding": I strained for the socket as you pulled me, my bare legs against your legs in the windowless dark. The room, snuffed out, could have been no larger than a freight car, no smaller than a box van; we couldn't tell anymore, the glints in the shellacked floor, too, were dulled. This is like death, you said, always joking. I slid my head into the crook of your neck, and didn't disagree. Raised in the Philippines and California, Janine Joseph holds an MFA from New York University and a PhD from the University of Houston. Her poems have appeared in the Kenyon Review Online, Best New Poets, Hayden's Ferry Review, and elsewhere. Her libretto "From My Mother's Mother" was performed as part of the Houston Grand Opera's "Song of Houston: East + West" series. A Kundiman and Paul and Daisy Soros Fellow, she is an assistant professor of English at Weber State University.
Hijra by
In her third poetry collection, Hijra, Hala Alyan creates poems of migration and flight reflecting and bearing witness to the haunting particulars in her transnational journey as well as those of her mother, her mother's sister, the lost aunts of her father in Gaza, and her Syrian grandmother.
Bright Dead Things by
FINALIST FOR THE NATIONAL BOOK AWARD A finalist for both the National Book Award and the National Book Critics Circle Award, Bright Dead Things examines the dangerous thrill of living in a world you must leave one day and the search to find something that is "disorderly, and marvelous, and ours." A book of bravado and introspection, of feminist swagger and harrowing loss, this fourth collection considers how we build our identities out of place and human contact--tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth, and falls in love. Ada Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a "huge beating genius machine" striving to embrace and understand the fullness of the present moment. "I am beautiful. I am full of love. I am dying," the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds, and Mark Doty, Limón's work is consistently generous, accessible, and "effortlessly lyrical" (New York Times)--though every observed moment feels complexly thought, felt, and lived.
The Theme of Tonight's Party Has Been Changed by
Sui generis, Dana Roeser's poems are spoken by a stand-up comic having a bad night at the local club. The long extended syntax, spread over her quirky, syncopated short lines, contains (barely) the speaker's anxieties over an aging father with Parkinson's, the maturation of two daughters, friends at twelve-step meetings and their sometimes suicidal urges?acted on or resisted?and her own place in a world that seems about to spin out of control. Bad weather and tiny economy cars speeding down the interstate next to Jurassic semis become the metaphor, or figurative vehicle, for this poet's sense of her own precariousness. Roeser brings a host of characters into her poems?a Catholic priest raging against the commercialism of Mother's Day, the injured tennis player James Blake, a man struck by lightning, drunk partygoers, an ex-marine, Sylvia Plath's son Nicholas Hughes, a neighbor, travelers encountered in airport terminals, various talk therapists?and lets them speak. She records with high fidelity the nuances of our ordinary exigencies so that the poems become extraordinary arias sung by a husky-voiced diva with coloratura phrasing to die for, "the dark notes" that Lorca famously called the duende. The book is infused with the energy of misfortune, accident, coincidence, luck, grace, panic, hilarity. The characters and narrator, in extremis, speak their truths urgently.