Superfan: How Pop Culture Broke My Heart by
A sharply observed and beautifully intimate memoir-in-pieces that uses one woman's life-long love affair with pop culture as a revelatory lens to explore family, identity, belonging, grief, and the power of female rage.
Daughter of the Dragon by
Challenging the parodically racist perceptions of Wong as a "Dragon Lady," "Madame Butterfly," or "China Doll," Huang's biography becomes a truly resonant work of history that reflects the raging anti-Chinese xenophobia, unabashed sexism, and ageism toward women that defined both Hollywood and America in Wong's all-too-brief fifty-six years on earth.
Anna May Wong by
Anna May Wong was the best known Chinese American actress during Hollywood's golden age, a free spirit and embodiment of the flapper era much like Louise Brooks. She starred in over fifty movies between 1919 and 1960, sharing the screen with such luminaries as Douglas Fairbanks Sr. and Marlene Dietrich. Born in Los Angeles in 1905, Wong was the second daughter of six children born to a laundryman and his wife. Despite her success as an actress, instances of overt racism plagued Wong's career.
Mixed Plate by
Mixed Plate illustrates Jo Koy's path to achieving his version of the American Dream, one that he lives out loud today while celebrating his heritage.
We Were Dreamers by
The star of Marvel's first Asian superhero film, Shang-Chi and the Legend of the Ten Rings, tells his own origin story of being a Chinese immigrant, his battles with cultural stereotypes and his own identity, becoming a TV star, and landing the role of a lifetime.
Making a Scene by
Here Wu shares private memories of childhood, young love and heartbreak, sexual assault and harassment, and how she "made it" in Hollywood. Raw, relatable, and enthralling, Making a Scene is an intimate portrait of the pressures and pleasures of existing in today's world.
Yellowface (fiction) by 
Hollywood Goes Oriental (non-fiction) by